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Master of Arts in Creative Writing, …

Master of arts creative writing sydney university

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sagent resume Atlanta, GA 30338. Accomplished Senior IT professional with a background in business intelligence, reporting systems, data quality (including ETL), software design and full life-cycle development. Capable of managing numerous projects while leading cross-functional teams to on composition koch meet and exceed overall IT initiatives. Demonstrated consultative process skills with emphasis on technical, written, and relationship development. Business Objects Enterprise ETL (Data Services -- BODI / BODS, SSIS) Reporting (Web Intelligence, Xcelsius, Crystal Reports) Highlights of skills: Business Intelligence Data Warehousing Process Improvement Team Leadership Effectiveness. Strategic Planning Analysis Reporting Systems Architecture Process Implementation Software Design Development.

Business Objects 4, XI r3, r2, r1, 6.5, …; WebIntelligence 4, XI, 6.5, …; UDT/IDT; Data Integrator 6; Data Services 4, XI 3.2, 4; DQM; SAP HANA; SSIS; Ab Initio; BEx Query Designer; PowerDesigner; Sagent; BrioQuery; Cognos; Genio; Erwin; Crystal Reports 2011, XI, 8.5; Xcelsius 2008; Lumira; IIS; Visio. Basic 6; PL/SQL; SQL; Transact-SQL (T-SQL); ASP; JavaScript; VBScript; HTML; DHTML; Ajax; JQuery; CSS; JSON; XML; XSLT; eBay, Indeed, YQL, Google APIs; SAS; Cobol. SQL Server 2012, 2008, 2005, 2000, 7.0, 6.5; Oracle 11g, 10g, 9i, 8, 7; Teradata; Neteeza; SAP HANA; Hyperion Essbase; MySQL; MS Access; UDB; DB2; Sybase; Filemaker. SAP ECC 4.7, 6.0; Salesforce; Oracle ERP. MM, MDM, FICO, PI, PUR, COPA, CAPEX, MFG, SD, PP, QM, PM, MRP, UOM, WM, HCM, SCM, VM. Windows Server 2012/2008/2003/7/Vista/XP/2000/NT/98/95/NT; Unix/Linux; Mac OS; Mainframe. OLTP, OLAP, ODBC, ADO, RDO, OLE DB, SOAP, SSL, SAP Bank Analyzer, Forecasting, Trend Analysis, Star and Snowflake Schemas, Executive Dashboards, CDC (change data capture), 3-Tier Programming, TCP / IP, FTP, HTTP, ISO, LDAP, SSO, RPC. Agile, Scrum, Waterfall, Inmon, Kimball, object oriented programming (OOD), rapid application development (RAD), Accelerated SAP (ASAP). Consumer Products, Banking, Lumber, Legal, Logistics, Health Care, Chemicals, Pharmaceuticals, Dept. of Defense, Energy, Electric, Automotive, Government, Politics, Insurance, Data Quality, Telecommunications, Building Materials, Financial Services, Commodities, Fleet Management, Furniture, Food Beverages, Mining, Coal, Debit Credit Cards, Pet Food, Animal Feed, Incentives, Marketing, Education. Teradata Certified Professional, Teradata Certified SQL Specialist. Development of BODS objects supporting multiple change data capture styles that include thousands of mappings and over seventy SAP DSO destinations.

All information sourced from and writing to SAP HANA. Created BODS specific portions of mapping documents, including CDC information. Introductory Essay? Design (modeling) and construction of SAP HANA tables, functions, procedures, and views using a combination of Data Services, PowerDesigner, and HANA Studio. Performed modeling with HANA, using attribute, analytic, and calculation views. Migration of information from master creative sydney multiple source systems (out of SAP HANA) into creative writing sydney university SAP Bank Analyzer, with various data profiling and quality checks and use of a composite table to ease maintenance/LI Environment: Data Services (BODS) 4, SAP HANA, SAP Bank Analyzer, DB2, PowerDesigner, Windows 7. Creation of executive dashboard illustrating volumes, imbalances, accounting details, and customer information related to resume speak acquisition. Improvement of existing dashboards – organization and bug fixes. Ensured data accuracy and providing of most important and up to creative date details by meeting with business analysts and management in multiple locales. Developed several multi-source IDT universes referencing relational databases, containing derived tables. Provided key and timely details in user-friendly dashboard to help management make informed decisions.

Conversion of existing dashboards from Xcelsius to Lumira, for comparison purposes. Environment: Xcelsius 4.1, SAP Lumira, IDT, MS Access 2012, SQL Server 2012, Windows 7. Successful and rapid conversion of multiple Ab Initio processes to Data Services, implementing methodologies to of arts sydney university increase maintainability, including simplification, logging, and inline documentation. Essays On Gangster? Data analysis, modeling, and profiling using SQL Server and Data Services, to provide new and improved structures and aid in data quality checks related to conversion efforts. Cost savings through replacement of scheduler with scripting involving file watcher loops and, or database flag checks, moving files to sydney university staging and production folders, and emailing of results, including attachments. Executed technical leadership on the use of the technology platform and tools, mentoring in optimal use of BODS in a SQL Server, SAP, and Unix environment. Environment: Data Services (BODS) 4, SQL Server 2008, Oracle, SAP, Ab Initio, Acorn, Windows 7, Unix. Created and optimized executive summary and several linked dashboards, including hierarchical selectors, flash variables, and dynamic sales and marketing information based on live SAP BPC data.

Built Crystal Reports detail reports connected to BI services pointed at Web Intelligence blocks containing BEx query details. Master? Reports launched by and received prompts from Xcelsius dashboard. Acted as go-to for the team for technical concerns and idea development. Significant contributions to dashboard and ETL architecture and design, including best practices. Constructed reusable templates to speed batch and real-time ETL development in BODS and provide auditing functionality.

Led training sessions explaining usage of templates and gathering ideas for improvement. Environment: Data Services (BODS) 4, Dashboard Designer (Xcelsius), Business Objects 4 (WebI, UDT, IDT), Crystal Reports 4, SQL Server 2008, Neteeza, XML, Windows 7. Provided administrative assistance, including fixing of scheduling errors, performance tuning, permissions management, and migrating jobs between systems. Creation of new repositories and configuration of existing ones. Environment: Data Services (BODS) 4, Oracle, Windows Server 2003, Windows 7. Constructed website to create, update, and delete batches of listings to eBay through XML using the eBay API and process related responses.

Added code to send and process listing status checks to eBay. Created code to encrypt and decrypt sensitive information used in website. Developed code in master of arts creative writing sydney website, stored procedures, and functions that wrote results to SQL Server database. Scheduled listing creation (based on database contents) and status checking. Environment: HTML, CSS, JavaScript, ASP, JQuery, XML, JSON, eBay API, SQL Server, Windows Server 2008, Windows 7. Converted data conversion processes from BW to introductory on composition ECC sources, using Data Services integrated with SAP. Master Of Arts Writing University? Created reporting system, including data model and dictionary, ETL, and WebI reports, based off SAP ECC material master information. Involved frequent discussions with offshore team members and business analysts. Troubleshooting of reporting, universe, and ETL issues with onshore and offshore engineers. Environment: Data Services (BODS) 4, Business Objects 4 (WebI, UDT), Oracle, SAP BW and ECC, Windows 7.

Acted as systems/software engineer for writing university, system architecture planning, technical design, software development and test, and software, hardware, and interface integration. Installation and configuration of Business Objects Enterprise and Data Services, including Data Quality. Creation, improvement, and documentation of HR reports and related universe, including standardization and applying best practices. Environment: Data Services XI r3.2, Business Objects XI r3.2, SQL Server 2008; Win Server 2008. Engineered conversion projects, using a self-designed standardized process, for migrating information between SAP 4.7 and 6.0. Converted information from SAP modules, including manufacturing, material master, basic data, fico, general plant, mdm, mrp, purchasing, qm, sales data, units of measure, warehouse mgmt, and work scheduling. Built and implemented validation projects to ensure quality data migration. Master Of Arts Creative Sydney? Frequent daily interaction with SAP functional analysts and business to review requirements and results.

Environment: Data Services XI r3.2, Oracle 9i; SQL Server 2008; SAP ECC 4.7, 6.0; Win XP. Converted and enhanced Cognos into WebI, Crystal, and Xcelsius reports with SAP data (HCM and SCM). Mapping of reporting requirements from business terms into essays SAP objects. Creative Writing? Creation and maintenance of OLAP universes sourced from BEx queries. Writing and editing of SAP BEx queries using Query Designer.

Writing of test scripts for accuracy, formatting, and performance. Environment: Business Objects XI r3.2; SAP ECC 4.7 – HCM, SCM, SD; SQL Server 2008; Win XP. Guided and played key role in design document production, including ETL field mappings for 500+ fields in four systems (2000+ fields total), data dictionary, universe and report documents, and DDL scripts. Constructed universe and related star schema database, with focus on death of a user-friendly configuration of classes and objects. Universe automatically updated with self-created automation tool. Led report development effort, including creation of many Web Intelligence reports. Designed and implemented Business Objects architecture, including hardware and software requirements, CMS information, security, and migration from XIr2 to XIr3. Creative Sydney University? Championed standardization of field mappings, data dictionary, and universe and report documents. Master Of Arts Sydney? Coordinated offshore ETL efforts, including meetings and answering of daily questions. Environment: Business Objects XI r3.2; SQL Server 2008; Designer SDK; Crystal Enterprise SDK, Win XP.

Designed, created, implemented, and tested dataflows, workflows, scripts, and jobs for multiple projects. Troubleshooting and performance tuning which reduced several jobs from resume speak several hours to less than one. Full lifecycle project focusing on surveys, including Data Services and Designer (universe) components. Migrated dataflows, workflows, scripts, and jobs between repositories. Environment: Data Services XI r3.2, Business Objects XI r3.2; SQL Server 2008; Windows Server 2008, Windows XP. Created and ran ETL jobs to load and manipulate Material Master and Vendor SAP information. Generated, put into successful production, and trained others in data validation / testing tool, using Data Services and SQL Server procedures and functions. Administration and configuration of multiple datastores and servers. Upgrade of First Logic / Data Quality to Data Services, with data and multiple country address cleansing. Developed, published, and scheduled batch and real-time jobs. Of Arts Creative Sydney University? Produced contact duplicate checking ETL project, including match transforms and adjustable parameters.

Constructed dashboards to review data validation results. Environment: Data Services XI r3.1, 3.2; SQL Server 2005; SAP (extracts); Xcelsius 2008; Windows XP. Directed and coordinated organizational strategies of employees responsible for conceptualizing, designing, constructing, testing and implementing business and technical solutions for telecommunications data. Partnered with software and architectural teams to plan and build out new systems, understand scalability and constraints of software, and manage disaster recovery and business continuity planning. Acted as key developer, leading a team of four (mostly remote) developers in the creation of Webi reports, universes, and Xcelsius dashboards consisting of proprietary telecommunications information. Implemented ETL related to numerous systems, including creating and manipulating tables with raw SQL/SQL Server Integration Services (SSIS) and conversion of SAS into packages and SQL.

Guided and developed the Business Objects teams, including providing hiring recommendations, training, mentoring and monitoring staff performance to effectively adhere to company’s “best practice” initiatives. Environment: Business Objects XI r2 (Webi, Designer, CMS, Admin); Crystal Reports XI; Crystal Xcelsius 2008; SQL Server 2005; Teradata; SSIS; Netezza; SAS; Aqua Data Studio; Windows XP. Responsible for creating Business Objects universes and reports to write index provide information on clinical trials. Successfully migrated universes and reports from development to test to production. Created Oracle functions and stored procedures to supply comma-delimited lists and date information.

Created functional and technical documentation for all reports and universes, outlining processes to create an easily readable roadmap of all procedures for end users. Environment: BusinessObjects XI r2; Oracle 9i; ARISg; Windows XP. Led efforts in the successful extraction and transformation of information from Excel to SQL Server database, designing a database geared towards OLAP reporting and later Essbase loading. Created over essays two thousand transformations to alter information extracted from Excel. Developed ETL program using VB with features for types of processes to display and run, status lists, storing metrics, HTML help, and options to writing sydney skip process with errors to convert text values to zero’s.

Environment: SQL Server 2005; Visual Basic 6; Hyperion Essbase; Microsoft Excel 2003; OLAP; Windows XP. Responsible for on composition koch, gathering customer requirements, architecting prototypical solutions, acquiring customer acceptance, and managing software processes from initial design to final implementation and deployment. Primarily responsible for creative sydney university, migrating Sybase, Business Objects (6.x), and Oracle Sagent data warehouses to provide commodities-related financial information to client and internal business users. Key Projects: Migrated three reporting systems to coursework Business Objects XI and Crystal Reports XI, with Oracle 9i. Administration using Central Management Console to writing sydney schedule reports, configure user and group security, and manage categories, folders, universes, and licensing. Created and tested reports and universes with information about commodities, futures, and options. Installed, tested, and maintained Business Objects XI (including Crystal) client and server software.

Environment: Oracle 9i; Business Objects XI r2 (Webi, Crystal Reports, Performance Management, SDK); Sagent; Visual Basic 6; Scripting (VB, Java, batch); ASP; HTML; XML; CSS; SDLC; Cisco VPN; Windows XP. IT Consultant 1995 to 2006. Key Clients: LeasePlan, Lockheed Martin, WPAFB (Air Force), Haworth, HPFS, ATT, Travelers, CIT, Cigna, Anheuser-Busch, Peabody Group, MasterCard, Ralston Purina, Maritz, Davis Interactive Client:nbspnbsp LeasePlan -nbspAtlanta, GA,nbsp Business Objects Expert (2005 to of arts writing sydney 2006) Created a Business Objects data warehouse to provide leasing information to georgetown essay questions 100 key clients. Creative Sydney? Designed and rolled out an innovative reporting system using Webi, including linked reports. Created conversion utility supporting improved (Excel) and unavailable formats (Word and HTML). Client:nbspnbsp Lockheed Martin (US Navy) -nbspNew Orleans, LA,nbsp Business Objects Expert (2004 to 2005) Gained acceptance of a conversion of an master sydney university, Access reporting system into Business Objects.

Developed, documented, and performance tuned thirteen reports and associated universes. Master Creative Sydney? Conducted qualitative and quantitative analysis to define project scopes and technical criteria. Created many Data Integrator jobs, workflows, and dataflows supplying source data for systems. Collaborated with key internal and external decision makers to master of arts creative writing recommend process enhancements, including creation of conversion utility for perfecting Word and Excel files from Excel exports. Of Arts Creative Sydney? Recipient of the “Lockheed Martin Outstanding Performer” Award (2004). Client:nbspnbsp WPAFB (US Air Force) -nbspDayton, OH,nbsp Business Objects Technical Support Analyst (2005 to 2006) Provided expert analysis and assistance for the Air Force Knowledge System application, supporting over 450 tickets arising from over 300 users. Tested and troubleshot WIS and INF errors, training, and network, database and universe issues. Troubleshot invalid data resulting from universe and database problems. Sydney? Client:nbspnbsp Haworth -nbspHolland, MI,nbsp Data Integrator Developer (2005 to 2006) Gathered specifications and developed, tested, and rolled out transformations and universes for how to write, AP, PO, and FA segments of Oracle Financials using Business Objects Data Integrator and Designer.

Client:nbspnbsp HPFS -nbspMurray Hill, NJ,nbsp Business Objects Expert (2003) Served as financial reporting analyst, balancing data related to a conversion of a loan system. Provided support to introductory essay on composition users for master writing university, report requests and maintenance, creating and testing 30 reports. Analyzed, documented, and implemented recommendations for SQL Server DTS scripts. Application Essay Questions 2012? Client:nbspnbsp ATampT -nbspBedminster, NJ,nbsp Business Objects Expert (2003) Reporting analyst/administrator for a data warehousing project targeted to analyze and improve call center performance and processes. Responded to daily maintenance requests, streamlining processes through the installation, administration and configuration of Business Objects, including Publisher. Client:nbspnbsp Travelers -nbspHartford, CT,nbsp Business Analyst (2002 to 2003) Main point of contact in a Focus mainframe, SAS to master creative university client-server (Business Objects, Crystal Reports) migration and conversion of the Annuity Reporting System. Master Creative Writing Sydney? Collaborated with cross-functional teams to develop 42 reports including prototype creation, testing, documentation, performance tuning, and requirements gathering and design. Conducted in-depth data analysis including data dictionary, physical data model, entity relationship diagrams, and PL/SQL queries for balancing and reviewing integrity of data.

Client:nbspnbsp CIT Group -nbspLivingston, NJ,nbsp Business Objects Expert (2002) Served as lead financial reporting analyst in a Citation mainframe to client-server (ALS) Business Objects implementation of a data warehouse (Oracle, Sybase) for leasing. Partnered with end-users and key internal decision makers on requirements gathering. Full life-cycle development and performance tuning of 54 flawless reports using Business Objects Reporter, Designer, Supervisor, and Broadcast Agent. Trained, mentored and monitored new and existing developers, instilling “best practices” to adhere to internal protocols and procedures. Client:nbspnbsp Cigna -nbspHartford, CT,nbsp Data Warehousing Consultant - Genio / Brio (2001 to 2002) Responsible for the enhancement and maintenance of a customized Brio data warehouse reporting application for investment data, including transforming source data (Genio). Gathered scopes and specifications to master creative writing test and provide daily support of Brio and Genio.

Taught end users on essay koch the capabilities, enhancements, and limitations of Brio. Client:nbspnbsp Anheuser-Busch, Inc. -nbspSt. Louis, MO,nbsp Senior Business Objects Developer (1999 to 2001) Implemented full lifecycle design of a 60 report data warehouse for pricing and promotions, that aided retailer sales tracking and marketing applications. Administered Business Objects repository, security, setup, universes, and report scheduling, including an upgrade from version 4 to 5. Constructed automated universe and report documentation with Business Objects SDK. Participated in Oracle ETL (transformation) related efforts, including creation of PL/SQL functions, packages, stored procedures, views, tables, indexes, explain plans, and types. Client:nbspnbsp Peabody Group -nbspSt. Louis, MO,nbsp Business Objects Developer (1999) Production included report creation, design, and prototyping security, universe maintenance and origination, data definition and manipulation, testing and layout. Resume Speak? Client:nbspnbsp MasterCard -nbspSt. Louis, MO,nbsp Consultant (1998 to 1999) Accountable for master of arts creative writing university, the conception of financial reporting system and associated graphical user interface, generating financial reports using Crystal Reports, VB, and Oracle.

Client:nbspnbsp Davis Interactive (Interchange Technologies) -nbspSt. How To Index? Louis, MO,nbsp Consultant (1995 to 1999) Responsible for design and support of multimedia projects with Macromedia Director and VB. Created graphical user interfaces and database engines to interact with databases and kiosks. Assembled software for reusable client incentive system (CIMS for Windows). Performed database administration, including backups, scheduling tasks, and setting up users and groups. Designed, developed, and tested reports and associated interface using Visual Basic and Crystal Reports.

Produced reusable Visual Basic tools, including batch form dynamic link library, report executable creator, system administration form creator, data source creator, and SQL Server administrative software. Environment: Visual Basic 6; Crystal Reports; SQL Server 6.5; Filemaker; Windows NT. B.S. Accounting; Minor: Business Management, December 1996. Recipient of Academic Scholarship. Tutor: General Statistics, 1995-97.

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Terminology: What’s the difference between worsted #038; woolen wool fabrics? If you have ever gone shopping for wool fabrics you may have seen some of the fabric described as worsted , and master of arts university some of it described as woolen . If you are me, you may have wondered what this meant. Aren’t all wool fabrics woolen? I mean, they are wool, right? In brief, worsted and how to write index woolen are different types of wool (long staple vs short staple), prepared in different ways, resulting in a different look and feel. Under magnification, worsted yarns look smooth with long fibres, and woolen yarns are much hairier, with lots of short fibres and more pokey-out bits. Worsted wools are slick when woven, woolen wools are knitted, crocheted, or woven into softer, fluffier fabric, or fulled fabric. Worsted wools are better at keeping out the wind and writing rain, but woolen wools are warmer, because they are full of air which acts as insulation. A fluffy woolen wool blanket. Worsted is also used to describe a particular way of spinning yarn, or weight of yarn, but I’m not going to go into that because it’s a modern spinning thing, not a historical textile thing.

Worsted wool comes from how to write sheep with really long wool (long-staple): generally sheep that live in writing sydney university fairly easily accessible, lush, green pastures, as opposed to sheep that do best in harsher environments. The long wool from worsted-type sheep is arranged, either by gilling (pulling through holes) combing with metal combs, or as part of the spinning process, so that the fibres lie parallel and end to end: these long, parallel wool fibres are what characterise worsted wool processing. The Weaver (with man combing wool on gcse biology, the left), 1698, Christoph Weigel. Because worsted wool is made from long fibres which all lie parallel, the natural crimp of the wool is of arts creative writing, removed, and the forms a very tight, hard yarn when spun, with little space between the fibres (as opposed to the more open, fluffy woollen yarn). When woven into fabric, worsted fabric has a tighter, harder, shiny-er finish, and can make a finer, lighter weight fabric.

The fine worsted twill weave of my 1813 Kashmiri gown. Here are two different worsted wools, so you can see how slick and hard the finish is, with few wool hairs on resume speak, the surface. The dark blue fabric is a serge, the camel a cavalry twill. The development of worsted wool fabric (in the modern sense) dates back to master of arts writing sydney the Middle Ages, when changing agricultural practices in essay koch England meant that new breeds of sheep that thrived on rich, enclosed pastures were being introduced, at the expense of older breeds, which did better in rougher environments. At the sydney university same time waves of gcse coursework, Flemish weavers, fleeing unrest in the Low Countries in the early 14th century, immigrated to Norfolk in England in response to invitations to settle in England offered in 1271 to fullers, dyers and weavers. They set up weaving in of arts writing sydney university and around Worstead, in Norfolk, and gcse coursework introduced new spinning and weaving techniques. The type of cloth they produced came to be known as worsted. Worsted cloth was known in the 18th and through the 19th century as stuff to differentiate it from cloth , which was woollen fabric.

Stuff was also used to describe other woven fabrics of fibres other than silk, especially once cotton became more common as a fabric in the late 18th century, so a mention of writing, a garment made of stuff does not necessarily mean the item was made of georgetown, wool, simply that if it was, it wasn’t woollen. Worsted wool fabric tends to be more expensive than the same weight and quality of woollen fabric, because the creative writing sydney university pasture land needed for worsted sheep varieties is in higher demand (in New Zealand, for example, it is far more financially beneficial for farmers to use pasture land for dairy cows than wool sheep), and because worsted fabrics require more processing. However, you also get more wear for your dollar: worsted fabrics are also more durable than their woollen counterparts. On Gangster. Desirable light or ‘tropical’ weight wools are generally worsted as well. The one drawback, wear-wise, to some worsted fabrics is of arts creative sydney, that they may go shiny at areas that receive a lot of wear, such as the seat of pants and introductory koch skirts, as the master writing parallel fibres are pressed more firmly together. Of A Salesman American Dream Essays. Twill weaves are more likely to go shiny than plain weaves. There is also a semi-worsted type of fabric, with yarns that are spun tightly, but not combed. This is a cheaper process, and creative writing sydney university is usually done with inferior wool to further cut costs.

Even with 100% wool fabrics there can be huge differences in quality and durability, which is why I prefer to buy fabric, and wool in introductory essay particular, in person rather than online, unless it is from a very reputable supplier. Today, worsted fabrics are most likely to be seen in men’s suiting, and in creative writing trench coats and other outerwear. Woolen wool usually comes from sheep with shorter wool fibres, though the shorter fibres (under 8cm/3? or so) of resume speak, long-staple sheep varieties that are combed out in the worsting process can also be used to creative writing sydney university make woollen cloth. To make all the short bits of woollen wool lie nicely together so that it can be spun into yarn, it is introductory koch, carded , or brushed in two directions at once with stiff brushes. Master University. The name carding comes from the Latin carduus or teasel, because carding was originally said to have been done with teasel heads (note, the resume speak use of actual teasels for the initial carding is under some debate). Giovanni Boccaccio, De mulieribus claris (On Famous Women), 1374, illustration showing women spinning, carding, combing, and weaving wool. Once it is master, carded, the wool is spun, and then woven. Resume Speak. After weaving, woolen cloth is of arts creative writing university, sometimes subjected to the fulling process (also known as waulking or tucking ), which cleans the fabric, making it thicker, and essays genre works the master writing sydney university hairs of the wool together, creating a uniform, almost felted surface, without much visible weave. Resume Speak. Fulling basically involves pounding or rubbing the surface of the master of arts creative writing sydney cloth, either with hands, feet, or clubs, or in special water-driven fulling mills, which began appearing in how to write index England in the early Middle Ages. The first part of the fulling process is writing, scouring , when cleaning agents were pounded in to resume speak the fabric.

These agents were initially urine (the Romans used it), which is creative university, full of ammonia, which softened and whitened the resume speak wool, and master writing sydney later fullers earth, clay with mineral elements which performed the same purpose of softening, whitening, and absorbing oil and dirt. Fullers earth is sometimes known as bleaching clay. Once the wool was scoured, it would be rinsed (thoroughly!), and resume speak then beaten again, to master of arts writing university matt the fibres together and thicken the american essays cloth, making it more water and wind resistant. Woolen cloth can also be brushed with teasels or carding combs after it is woven, to raise the nap of master of arts creative writing sydney, a fulled surface. This too was done with teasel heads: in fact, there are still some wool processing plants that still use teasel heads set on to a special frame for introductory essay the initial or post-wearing carding. Master Of Arts Sydney. There is at least one teasel-head carding frame still in use in a commercial factory in New Zealand – which I think is write index, pretty awesome. Mendel Hausbuch, f. 6v, c. 1425, Peter Berber, Carder brushing woollen cloth with teasel heads. When woven up, woolen cloth is usually softer and fluffier than worsted stuff, though it can also be pricklier and hairier, if made with cheaper wool.

It’s generally easier to fit and sew with, because it isn’t as slippery and stiff as worsted, and woolen cloth gives and eases around your body more. However, certain woollen weaves are prone to snagging, and master creative writing university may sag at gcse biology, the knees and bottom, or wear out at the knees. Have a piece of fabric and want to know if it is worsted or woolen? If it is soft and fluffy, or has a brushed, fulled surface that looks almost like felt and makes it hard to see the weave, it’s woollen. If it has a smooth, slick, hard surface, it’s worsted. The soft, open woolen weave of master of arts creative writing sydney university, my Roman stola.

Worsted fabrics generally look best for georgetown essay questions suits, and other smart, crisp, tailored garments. Creative Writing University. Woolens are softer looking and drape better, so work better for more informal garments. Common modern historical woolen fabric s include: Boiled wool – woolen fabric, woven or knit, which has been thickened or shrunk by heavy fulling and/or boiling. You can create your own boiled wool by washing your fabrics multiple times on georgetown application questions, the hottest, roughest setting – assume that you will loose approximately 20cm of length for every metre. Boucle – fabrics of wool or other fibres with twisted, irregular crepe threads and a loopy, textured weave. Camelet – medium quality woolen fabric produced in master creative university England in the Middle Ages. Camelin – luxury woolen cloth made from the creative wool of the angora goat, imported into England from the Near East in the Middle Ages. Challis – soft, draping, lightweight, plain weave fabric of of arts creative sydney, wool, cotton, or rayon. Crepe – soft, draping fabric with a twisted thread, giving it a slightly nubbly surface and death of a salesman essays excellent drape, recovery, and movement around the writing body.

Wool crepes can range from very lightweight, to heavy double-weave crepes. Knits (jersey, doubleknit, etc) Tweeds – woolen cloth with an unfulled surface, often with mixed (heathered) yarns. Common modern historical worsted fabrics include: Barathea – very fine twill weave fabric, mainly used for mens dress suits. Bombazine – a twilled or corded fabric with a silk warp and worsted weft (now sometimes all silk, or made of on gangster, other fibres). Cavalry Twil l – a fabric with a steeply diagonal twill weave, and a distinctive raised ‘cord’ or rib. Also known as artillery tweed. Gabardine – A very tightly woven fabric with a fine steeply diagonal warp faced (has a clear wrong and right sides) twill weave, invented in 1879 by Thomas Burberry, originally as a kind of sydney, waterproof fabrics, but used as a general term for questions the weave and fabric type by the early 20th century. The name is taken from master writing ‘gaberdine’, a word for cloak or raincoat dating back to the late Middle Ages.

Serge – Very tight, hard wearing twill weave, frequently used for suiting, but prone to shining. Sharkskin – lightweight wool fabric with a fine, nubbly weave that is supposed to application 2012 imitate the skin of a shark. Master Writing Sydney. Whipcord – like cavalry twill, a fabric with a steeply diagonal twill, and a raised ‘cord’ or rib. There is no official difference between whipcord and cavalry twill (except that whipcord may also be made of cotton), so either term may be used to describe certain fabrics. Cant, Jennifer and Fritz, Anne, Consumer Textiles . Resume Speak. Melbourne: Oxford University Press. 1988. Calasibetta, C. M., Tortora, P, and creative university Abling, B (illus.).

The Fairchild Dictionary of Fashion (Third Ed). London: Laurence King Publishing Ltd. 2003. Collier, Billie J. and of a salesman american essays Tortora, Phyllis G. Understanding Textiles (Sixth ed). Upper Saddle River, New Jersey: Prentice Hall Inc. 2001. Ginsburg, Madeleine (ed), The Illustrated History of Textiles . New York, New York: Portland House. Master Of Arts. 1991. James, John.

History of the Worsted Manufacture in georgetown England . London: Frank Cass Company, Limited. Master Of Arts University. 1968. Shaeffer, Claire. Claire Shaeffer’s Fabric Sewing Guide . Iola, Wisconsin: Krause Publications. 2008. Wilard, Dana. The Fabric Selector . Millers Point, NSW Australia: Murdoch Books Pty Ltd. Death Of A American Dream Essays. 2012. A great post – thank you! Fascinating!

I had never really given much thought to the origen of fabric names but there’s so much in master creative them, thank you! Ooh! A topic close to my heart! I fear you may have become a little muddled on the worsted/woolen distinction of the medieval period and earlier, though. Cards do not seem to have been invented prior to the mid-14th Century (at least in Europe). Certainly, Roman and Anglo-Saxon wool processing appears to have been done solely with combs – although with shorter-toothed combs used in-hand and sometimes singly, rather than the longer-toothed, larger combs that were introduced from about 1300 and used in pairs, often with one mounted and of arts sydney university often (as in your image) heated and greased.

Thus, I suspect the gcse pre-1300 Europeans were making wool fabrics that were worsted or perhaps, as you’ve defined it, semi-worsted (though with comparatively inferior fibres compared to the later fabrics). A survey of archaeological textiles would be needed to prove this, but pre-1300 is a bit out of my area of interest. Also, despite many claims, I’ve never found any actual evidence that cards made from teasels were ever used for fibre processing (indeed, experimental archaeology suggests it just wouldn’t work). I suspect it is a modern misunderstanding based on the fact that both the master of arts creative sydney university fulling tool and genre the fibre-processing tool are both called a ‘card’. Finally, a historical textile term you may want to add to creative your glossary is of a salesman american essays, va?mal. It is characteristic of the medieval Greenland finds and is a weft-faced 2/2 twill made from double-coated sheep, with the warp made from the coarse, long, hair-like outer coat and the weft made from the soft, fluffy wool-like under coat. It is woven on a warp-weighted loom and weft-faced due to being beaten until the threadcount of the weft is much, much higher than of the warp. Creative Sydney University. It was also used throughout Scandinavia, often as a currency: http://en.wikipedia.org/wiki/Wadmal. Oh, P.S. The way you’ve phrased this makes it sound like merino is one of the latter sort of death of a salesman american dream essays, sheep, when actually it’s one of the former: “generally sheep that live in fairly easily accessible, lush, green pastures, as opposed to master of arts sydney sheep that do best in harsher environments (like merino).”

Thanks Panth! The pre-medieval discussion was something that I knew was a weak point in the research, as all my sources disagreed with each other, or simply didn’t discuss it, and it’s certainly not my area of expertise. There was extensive discussion of essay koch, fulling in master creative sydney Roman times, which is generally associated with woolens, and the only sources that claimed pre-medieval fabrics were worsted were either extremely old (19th century), or relying on that same very outdated research. A number of the bog mummy garments also show slight fulling (though some scholars have surmised that it is a result of wear and the preservation, not an original fabric treatment), which indicates a more woolen garment. . I suspect the most accurate thing to master of arts writing university say would be that, between the how to differences in processing and of arts creative the advancement of modern wool, many pre-Medieval wool fabrics do not fall nicely into either the how to write index worsted or woolen category. I’ve read the research disputing that teasels were every used for original carding, but I also once worked for a museum that had the notes from master of arts writing a late 19th century curator traveling in South America coming across rural villagers ‘using the heads of teasels to 2012 comb out the loose wool.’ The curator had brought back some teasels for of arts creative writing sydney the collection, but sadly, they were long since disintegrated. A kernel of truth to the teasel story? It’s certainly repeated in many reputable sources, so between the two I chose to include it. The nice thing about the internet (as opposed to print), is that you can update and correct and discuss things!

I’ve been working on write, this article for months, and reading more and university more sources which just contradicted each other, so I decided to just publish, and we can work things out from coursework here! I’ve edited and master of arts creative writing sydney clarified slightly based on georgetown application essay 2012, your excellent comments. Thanks for the reply! I’m certainly very much still learning, so it’s nice to talk things over. ^_^ (Also, I fear my knowledge, or certainly strong knowledge, is very, very much restricted to 14th C Western Europe…) I wonder if the evolution of the writing university wool comb from the shorter-tined ones to the longer-tined ones mark its evolution into application essay 2012 a more long-staple-wool-only tool and helped foster the development of cards… Re. fabrics, I totally agree with this: “between the of arts creative university differences in processing and the advancement of modern wool, many pre-Medieval wool fabrics do not fall nicely into either the worsted or woolen category.” Certainly, I’m not arguing that all medieval and pre-medieval wools were worsteds as we know them now. But they weren’t necessarily the fulled-and-fluffy sort of woolen either. (Actually, fulled wools came into vogue in the 14th C and at death salesman dream, least in the previous centuries fulling was not fashionable, I believe. Hence also why patterned twill wools become less common in master of arts sydney the 14th C archaeological record.) (Oh, another thing — many fabrics were sheared after fulling. You could even re-full and re-shear them to refurbish the finish.)

Thanks for this – lovely explanation. Have to ask. – who is still using teasels? Thanks for this very thorough explanation. Your timing with this post is unbelievably amazing! I have a two yard piece of worsted wool that I got for a song BUT don’t have a project for as of yet. I was trying to find information on where it would have been used historically but kept coming up with “cloth” in my research, which I know is woolen not worsted. On the search for “stuff” now! So interesting!

I just shelled out for some real wool for knitting, and was wondering why the one advertised as having long fibres was smoother, softer, and warmer. Thanks for writing! I always look forward to your posts. Hey now if your going to resume speak mention waulking you need to include the tunes. Master Of Arts Writing Sydney University. I find they are also a good background rhythm for hand stitching. If anyone wants to biology know the first one is Norman Kennedy a renowned fiber artist and bard.

I have a soft spot for master wool, and was very glad to see an entire post on the subject. Biology. And thank you, Panth, for of arts writing a great discussion. Who else would like to sip on tea and listen to Panth and our Dreamstress discuss wool? Maybe have some samples or pictures to pass around at each example? You’ve found great historical images of the process, which I particularly enjoyed in addition to your text. Thanks for spelling out the differences! What really gets my goat is when land suitable for sheep is gcse biology coursework, instead used for dairy cows. This requires huge amounts of irrigation which is bad for local waterways (and the run-off isn’t that great either). Master Of Arts Creative. Bring back the sheep! But wool prices are so low that farmers can end up paying the shearers more to simply sheer the sheep than they will make from gcse biology on osmosis selling it. Few people can afford to farm sheep for the fun of it, so farmers switch to master writing sydney dairy cows because they can make a living in NZ off of dairy, wool, not necessarily.

Until we can change that, more and more farmers will switch to dairy, with all the negative environmental implications that has. Wonderful, wonderful, wonderful. . Thank you. Posts like this always make me wonder what the distinctions are in Czech terminology. Of Arts Creative Writing Sydney. I really should start checking out Czech sources more… In this particular case, I guess the mostly historical term “sukno” has a lot to do with Woolen (not the least because teasel is called “stetka soukenicka”) – but at the same time, I’m not entirely sure if it’s one-on-one, because it often isn’t. . And the confusing part is that “soukat” the master of arts sydney university verb actually means, in its primary meaning, “to wind thread on a spool”… … I am definitely a bit of a linguist, perhaps a predominantly practical one, which is why I really, truly love your terminology posts. Thank you for this well written and informative post. I just wanted to know what worsted wool was, but I have ended up learning so much more. Thank you thank you.

Thank you so much for this article. I am learning to sew and I was searching for master creative writing information on wool for a rain coat. This really explainef it all. How To Index. Now I know how to master of arts creative writing sydney university treat wool fabric to get the fabric the way I want it. I know how to treat denim until I get the death of a feel I want. The information on boiling the fabric wzs perfect. Master Of Arts Creative University. Also all the comments were also helpful. Thanks. Very interesting information.

Thank you. . Can worsted wool be washed would shrinking? Excellent article and full explanation of worsted wools. Creative Writing. I’m glad I googled my curiosity. fantastic work, i have acquired a skill of differentiating between woolen and essay questions 2012 worsted wool. I LOVED reading this! So interesting, and master writing informative!

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All about Virtual Documents in details. Inherently Virtual documents are complex. Master Of Arts Creative. Assemblies add a little to that but here goes as simple as possible: From the server object perspective, the dmr_containment object is the key to understanding Virtual Documents. + r_is_virtual_doc- A dm_sysobject in the Docbase becomes a Virtual Document if r_is_virtual_doc is on gangster, set to 1. + r_link_cnt- Defines the master writing university, number of components of the Virtual Document. + resolution_label- Defines the the version label for late-bound nodes of the Virtual Document.

We will discuss this shortly. + A dmr_containment object defines the link between the parent and child nodes. + parent_id- The Object ID of the , parent node. + component_id- This is the creative writing sydney university, chronicle_id, or original version id, of the child node. + version_label- Version label for the child component. This overrides parent’s resolution_label. + use_node_vers_label- If set to TRUE for early-bound components, the server uses the early-bound symbolic label to resolve late-bound descendants of the component during assembly. + follow_assembly- If set to TRUE, directs the system to introductory koch, resolve a component using the component’s Assembly (if the component has an Assembly). Note that only the root node and the dmr_containment objects have attributes related to Virtual Documents. Because of this, the dm_sysobject can be the child of “thousands” of master writing university Virtual Documents without the , need for writing sydney, setting “thousands” of attribute values for the object.

The connection between the parent and child is maintained in the dmr_containment object. When a parent node is versioned, new containment objects are created between the on gangster genre, existing child node documents and the new parent version. When a child node is versioned, no containment object is of arts writing sydney university, created. This is because the containment object links the version of the parent to “any” version of the essays, child node. Of Arts Creative Writing University. (Usually, the “CURRENT” version is requested but other options are available as will be described in the coming Binding section). This is accomplished by the containment object referring to the “chronicle_id” of the child node.

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A) You would like a “shortcut” to of arts creative sydney university, a version you reproduce often. B) You need to lock certain child object versions from being deleted in order to guarantee the ability to essay on composition, reproduce the same version of the child nodes in the future. Note : Although the current version of DFC does not support creating assemblies of XML documents, you may find them useful to create a Virtual Document from master of arts creative sydney university, various Docbase objects. Tip : An alternative approach to creating assemblies is to use version labels (like, “Assembly 1?) and binding to retrieve specific past versions of the gcse biology coursework, graph. This hint may be useful until DFC supports assemblies of XML documents. An Assembly, therefore, is a recording (or “snapshot”) of a version of a Virtual Document. It is comprised of a collection of Assembly object elements. Each Assembly object in the Assembly collection references one version of one component (sysObject) of the Virtual Document. Master Creative Writing Sydney. For each node in koch, the Assembly collection, an “Assembly object” exists in the Docbase server. Of Arts Creative Writing. An Assembly object is introductory essay on composition, actually an instance of “dm_assembly” and contains the absolute ObjectID of the version of the sysObject referenced by that node in the versioned Virtual Document. Each “dm_assembly” object has fields that are used when fetching the Assembly collection in the future.

All Assembly objects of the of arts creative university, same Assembly have the same value for their “book_id” field. . The book_id is the master of arts creative writing sydney university, objectID of how to write a unique sysObject chosen to act as a “handle” for that snapshot. You can associate the collection Assembly objects with a single sysObject by of arts writing sydney university, calling: The Assembly collection is conceptually accessed from the Docbase server as a single unit using a unique sysObject we term an “Assembly Document”. An Assembly Document is a unique sysObject (specific version of write index a document) that refers to master of arts creative, that “snapshot” (collection of Assembly objects). It is the , sysObject passed to the node.assemble() method.

An Assembly Document can only sydney, reference one collection of Assembly objects at a time. Therefore, make sure that the sysObject passed to the assemble() method is not already associated with an Assembly or you will lose the previous Assembly. The Assembly Document (or “ book “) can be either the essays, sysObject referenced by the Assembly’s root node or some other sysObject. However, since an Assembly Document can only reference a single Assembly, a separate Assembly Document would be necessary when multiple assemblies from the same Virtual Document are required in order to avoid overwrite. When the creative sydney, Assembly is how to write index, requested in the future, the system looks for the dm_assembly objects that share the same “ book_id ” value and fetches the sysObjects referenced by the “component_id” of that dm_assembly object. In this example, three documents are fetched from the of arts creative university, Docbase. Write Index. “doc” is a Virtual Document. aDoc1 and master of arts writing aDoc2 are generic document objects. The “doc” object refers to a Virtual Document but does not actually populate the node tree until asked to on gangster, do so. Here, the node tree is of arts creative sydney, finally populated using the binding criteria starting with “Released” as the preferred version. As you can see from the table on the left, the different nodes did not all retrieve the “Released” version of each child. Resume Speak. This is because of the binding criteria as well as settings in the nodes (such as early binding) may override the preferred version. Once all the child nodes are assembled, that collection of objects is recorded by calling node.assemble( aDoc1 ). This sets a value in the aDoc1 object as a reference to the collection of the bound version of the object at each node.

aDoc1 is the Assembly Document for the “Released” version of writing Virtual Document “A”. Here, another version of the essay, node tree is populated (assembled) using the binding criteria starting with “CURRENT” as the preferred version. As you can see from the table on the right, the different nodes did not all retrieve the master of arts creative writing sydney, “CURRENT” version of each child. Essays On Gangster Genre. This is master writing, because of the death of a salesman american, binding criteria as well as settings in the nodes (such as early binding) may override the of arts creative sydney, preferred version. Once all the child nodes are assembled, that collection of introductory on composition objects is creative writing sydney university, recorded by calling node.assemble( aDoc2 ). This sets a value in the aDoc2 object as a reference to the collection of the bound version of the object at each node. aDoc2 is the Assembly Document for death american dream essays, the “CURRENT” version of master writing university Virtual Document “A”. Sometimes a Virtual Document nests an Assembly within its hierarchy.

When fetching a Virtual Document that potentially has sub-assemblies within it, it is often necessary to georgetown application essay questions 2012, obtain the sub-assemblies. When you include an Assembly Document as a node in a Virtual Document, you must decide if the Assembly components should replace that node, and creative writing university any of its containment components, with the whole Assembly, or to ignore Assembly altogether. + The default is that the Assembly components should be ignored and instead the server uses the binding criteria to fetch the how to write, components referenced in the dmr_containment objects; + The node can optionally override the binding criteria so the server fetches the Assembly components based on master of arts creative university the dm_assembly collection instead of the node or any of its virtual children. To direct the server to use the how to, node’s Assembly components, call node. Master Creative Writing Sydney University. setFollowAssembly(true) . If the node is not a Virtual Document, or it does not have children, or it does not have an Assembly, this setting on the node is coursework, ignored. + Cannot add or delete components from the Assembly. + That version of the component will be frozen. – Can’t change contents or attributes. – Assembly Document will be frozen.

– Can’t change contents or attributes. + May add or delete from the Assembly again. + That version of the of arts sydney university, component is unfrozen. – Can change contents and attributes. + Only works if it is not nested within another frozen Assembly. To remove the Assembly status from a sysObject and to remove all its Assembly objects, either call sysObject.disassemble() or node.disassemble() . You must have at least VERSION permission for the sysObject in order to delete its Assembly. Deleting an essays Assembly will remove all the Assembly objects but does not remove the sysObject components of the Assembly objects. Note: The ownership of the article lies with the Original Author and creative writing university is here only as a reference. The copyright laws applicable to this note are as defined by death of a american essays, EMC Forums. BOF is a deployment mechanism we use for a number of of arts creative writing university different component types, like TBOs, SBOs, modules, aspects.

This is how it works from a 20,000 ft view. BOF modules are packaged using Composer into essay on composition koch, DARs (or docapps in of arts creative writing sydney university, the old days). . They are deployed to a docbase. In general, with the exception of SBOs, they have docbase affinity (you might get a different implementation from a different docbase). SBOs are deployed to a global registry docbase and so have a single implementation. Once deployed to the docbase, any DFC instance that communicates to creative writing, that docbase will be sensitive to any changes made to the BOF module. If it detects a change (via an optimized polling strategy) it will download the new/updated module definition to its file system cache. You can find these caches in $DOCUMENTUM/cache/release/bof/docbase. In these directories you will find downloaded jars and other downloadable resources (the jar names are the , object ids). You will also find a content.xml file which is a manifest. These caches can be deleted at will and will be automatically reconstructed as necessary by a running DFC instance.

Zipping up this cache can be very useful collateral in debugging a BOF problem. The BOF runtime (within DFC) runs entirely from the master of arts creative sydney university, file system. Class loaders are constructed which point to the jar files on the file system, so there is no performance penalty in deploying to the docbase (except for the initial reference). BOF supports hot deployment. If a DFC instance recognizes an updated BOF module it will download it and build a new class loader for that module which points to the updated jars. The next request for that module will use the new implementation. Any preexisting objects remain using the old implementation and gcse on osmosis will be aged out university as they are garbage collected. This is great for updating an implementation, but you must never update a public interface or you will cause havoc (you would need to , reload the of arts creative university, web app and introductory essay on composition koch ensure application compatibility first). The class loader and packaging implications of BOF will be addressed in creative sydney university, a subsequent post.

Developing BOF applications with Composer tutorial. 1 Understanding BOF class loading. Before you begin BOF development, it is how to write, important to understand how Composer categorizes JAR files, the BOF class loader, and master of arts creative the problems that you might encounter when developing BOF applications. 1.1. Resume Speak. The BOF class loader hierarchy. Composer categorizes JAR files into three categories: Implementation, Interface, and Mixed. A different class loader is of arts writing sydney, used to load the classes depending on the type of JAR file. The following diagram shows the death of a salesman dream, class loader hierarchy: Implementation JAR files are loaded into module-specific class loaders.

Each BOF application has its own class loader and all of its implementation JAR files are loaded into this class loader. Classes in different module-specific class loaders cannot reference one another. This class loader is parent-last, meaning classes within the class loader take precedence over the same classes in its parent class loaders (the shared BOF class loader and the application class loader). Interface JAR files are loaded in a class loader that is master of arts university, shared across a DFC instance. All interface JAR files for all BOF applications are loaded into the shared BOF class loader. This allows published interfaces to be shared across multiple components that require it. This class loader is parent-first, meaning classes that are loaded by its parent class loader (the application class loader) take precedence over gcse, its own classes. Classes in this class loader cannot reference classes in the module-specific class loaders. Mixed JAR files are deprecated and should not be used.

The application class loader is typically where your client or web application is loaded. This class loader cannot reference any of the classes that are loaded by the shared BOF class loader or the master creative sydney, module-specific class loaders. You must package any interface JAR files that are needed by your client application with the client application, so it is aware of your BOF application’s API. The different types of JAR files and their class loading behavior in a repository are more complex than in write, your development environment. Because of this fact, applications that work in your development environment might throw exceptions when deployed in a repository. It is important to understand what to package in implementation and interface JAR files before developing your BOF application. As a general rule, you should not use mixed JAR files. Implementation JAR files typically contain the logic of your application and a primary class that serves as the entry point to your BOF module.

Implementation JAR files are loaded into a module-specific class loader and classes in master of arts creative writing university, different BOF modules cannot reference one another. Interface JAR files do not need to include all interfaces, but all published interfaces that are needed by your clients should be packaged. Any exception classes or factory classes that appear in your interfaces should also be packaged in interface JAR files. Ensure that your interfaces do not transitively expose classes that are not packaged in the interface JAR file, which would lead to a NoClassDefFoundException. To be safe, package your implementation and published interface classes in different JAR files. Implementation JAR files can contain non-published interfaces (the interface is not needed by write, the client or any other BOF module). It is recommended that you also separate your implementation and published interface source files into separate directories so that the packaging process is less error prone.

1.3. Common exceptions caused by incorrect JAR packaging. If you do not package your JAR files correctly, the different layers of class loaders can cause exceptions to occur. Writing. The two most common exceptions that you might encounter are ClassDefNotFound and ClassCastException. The ClassCastException occurs when you try to cast an object to an interface or class that it does not implement.

In most cases, you will be sure that the object you are casting implements the interface that you are trying to cast it to, so there is another point to consider when encountering this error. Java considers a class to be the same only when it has the same fully qualified name (package and georgetown application questions 2012 class name) and if it is loaded by the same class loader. If you accidentally package a published interface within an implementation JAR file, the exception occurs if you try to cast an master of arts creative writing object to that interface in your client application. For instance, say you created a BOF module that implements an interface and package the interface in an implementation JAR file: The interface that is packaged in the implementation JAR resolves to the module-specific class loader because it is parent last. Your client application instantiates the BOF module and tries to cast it to the interface. It uses the interface that is loaded by the client application class loader, because there is no way for death american, your application to reference the interface in the module class loader (the parent class loader cannot see children class loaders). Java throws ClassCastException, because it expects the interface that was loaded by master creative sydney university, the module-specific class loader to be used to cast the BOF module, but you are using the essays, one that was loaded by your application class loader. Sydney University. Alternatively, if you correctly package the interface inside an interface JAR file, it is gcse biology on osmosis, loaded by the shared BOF class loader, which is parent-first. The interface resolves to master creative writing sydney university, its parent class loader first (your application’s class loader), and no exception is , thrown. NoClassDefFoundException most often occurs when you transitively expose a class that a class loader cannot find.

A common example is when you accidentally package an implementation class inside an interface JAR file, and that implementation class references another class in an implementation JAR file. The exception is thrown, because classes in the shared BOF class loader cannot reference anything in the module-specific class loaders. For instance, say you created a BOF module and accidentally packaged an implementation class inside an interface JAR file: You call a method that references the implementation class that you accidentally packaged inside the interface JAR file. The method runs and in turns references another class inside the implementation JAR file. Java throws the NoClassDefFoundException, because the classes that are loaded in master creative university, the shared BOF class loader cannot see any classes that are loaded by the module-specific class loaders (classes in parent class loaders cannot see classes in child class loaders). This problem can manifest itself in other scenarios, but the of a salesman dream essays, basic problem involves referencing classes that do not exist (either through not packaging the class at all or packaging the class at a level that is hidden from the referencing class). Understanding these two common problems can help you avoid them when developing your BOF applications. Because of these problems, it is recommended that you separate your implementation source files and master creative writing published interface source files into different folders to begin with, so that packaging the JAR files is a simpler process. 2 Building the Hello World BOF module. Now that you have some background on BOF development, this tutorial will guide you through developing a simple Hello World BOF module.

You will create the essay 2012, following items when developing the Hello World BOF module: An interface for the Hello World BOF module An implementation class for the Hello World BOF module An Ant script that builds the of arts creative writing university, interface and implementation classes into separate JAR files A JAR Definition artifact that defines the on composition, implementation and interface JAR files as a Documentum artifact A Module artifact that defines the BOF module An Ant script that automatically updates the writing university, JAR Definition with the salesman essays, most recent version of the implementation JAR file and builds and installs the project. 2.1. Creating the Hello World Java project. To begin, you will first create a Java project that contains the code for the Hello World BOF module. During the project creation, you will also create two separate source folders for your implementation and interface classes. To create the Java project: Start Composer and master of arts creative writing click File New Java Project…. The New Java Project wizard appears.

Type HelloWorldBOFModule in the Project Name field and click Next . The Java Settings screen appears. Death Of A Salesman American Dream. Check the Allow output folders for source folders checkbox. Master Creative Writing Sydney University. Click Create new source folder . The Source Folder window appears. Type src-impl in the Folder name field and how to write click Finish . 2.1.1. Creating the IHello interface.

The IHello interface defines one method: sayHello. This interface will be packaged in of arts creative writing sydney, a JAR file that is designated as an resume speak Interface JAR when defining the JAR Definition artifact. To create the IHello interface: In the Package Explorer view, right click the creative writing sydney, src-int folder and select New Interface… . Essays On Gangster Genre. The New Java Interface window appears. Specify the following values for the following fields and click Finish : Package — com.emc.examples.helloworld Name — IHello. 2.1.2. Creating the Hello World implementation class. The HelloWorld class implements the IHello interface and master writing sydney prints out a “Hello, World” string when its sayHello method is introductory koch, called.

The HelloWorld class will be packaged in a JAR file that will be designated as an Implementation JAR when defining the master sydney, JAR Definition artifact. To implement the IHello interface: In the Package Explorer view, right click the src–impl folder and gcse coursework select New Class… . The New Java Class window appears. Specify the following values for the following fields and click Finish : Package — com.emc.examples.helloworld.impl Name — HelloWorld. You will now create an Ant Builder to master of arts sydney, automatically build the resume speak, interface and implementation classes into two separate JAR files: hello-api.jar and hello.jar. When you make changes to any of creative sydney university your code, the Ant Builder automatically rebuilds the JAR files. To create the Ant Builder:

Right click the gcse coursework on osmosis, HelloWorldBOFModule node in the Package Explorer view and master creative writing sydney university select New File . The New File window appears. . In the File name field, type jarBuilder.xml and click Finish. The jarBuilder.xml file appears in the Package Explorer view and is opened in an editor. Click on the Source tab in the XML file editor, copy and paste the following code into the editor, and save the file: Right click the HelloWorldBOFModule node in the Package Explorer view and select Properties . The Properties for HelloWorldBOFModule window appears. Select Builders on the left and click New… . The Choose configuration type window appears. Select Ant Builder from the list and click OK . The Edit Configuration window appears. Specify the sydney, following values for resume speak, the fields listed and master of arts creative writing university click OK : Main tab Name — JAR_Builder Main tab Buildfile — Click Browse workspace and select HelloWorldBOFModule jarBuilder.xml Targets tab Auto Build — Click Set Targets… , select main , and click OK . The Composer project contains the resume speak, Documentum artifacts that are needed for writing sydney university, your BOF module. You will create a project that contains a Module artifact along with JAR Definition artifacts. To create the Composer project: Click File New Project , select Documentum Project Documentum Project from the georgetown 2012, New Project wizard, and click Next . The New Documentum Project window appears.

In the Project Name field, type HelloWorldArtifacts and click Finish . Master Of Arts Sydney University. Composer takes a few minutes to create the project. If you are prompted to switch to the Documentum Artifacts perspective, do so. 2.2.1. Creating the JAR Definition artifacts. Before you create the salesman american essays, BOF module artifact, you must create JAR Definition artifacts that reference your implementation and interface JAR files. The BOF module cannot reference JAR files directly. To create the of arts writing sydney, JAR Definition artifacts: In the Documentum Navigator view, right click the resume speak, HelloWorldArtifacts Artifacts JAR Definitions folder and select New Other… .The New Wizard appears. Select Documentum Artifact JAR Definition and creative writing sydney click Next. In the Artifact name field, type hello and click Finish . The hello editor opens.

In the JAR Content section, click Browse… and select the hello.jar file that is located in the workspaceHelloWorldBOFModulebin–impl directory. Master Of Arts Creative Sydney. In the Type drop down menu, select Implementation and save the JAR definition. In the Documentum Navigator view, right click the HelloWorldArtifacts Artifacts JAR Definitions folder and select New Other… . Essays. The New Wizard appears. Select Documentum Artifact JAR Definition and master of arts creative sydney university click Next . In the Artifact name field, type hello-api and click Finish . The hello-api editor opens. In the JAR Content section, click Browse … and select the hello-api.jar file that is located in the workspaceHelloWorldBOFModulebin–int folder. In the Type drop down menu, select Interface and save the JAR definition. In the Documentum Navigator view, right-click HelloWorldArtifacts Artifacts JAR Definitions hello.jardef and select Properties . Select Documentum Arfitact on the left, select Ignore Matching Objects for the Upgradeoption field and click Apply . For the Upgrade option field, re-select the Create New Version of Matching Objects option and click OK . Essay. Composer does not set the master of arts, Create New Version of Matching Objects option unless you set it to introductory, something else first. This bug will be addressed in future releases.

This option allows the client to master sydney university, detect new changes in JAR files in the repository. If you do not set the JAR Definition to resume speak, this property, updated JAR files will not get downloaded to the client unless the BOF cache is cleared. The HelloWorld.jar and IHello.jar files are now associated with a JAR definition and can be used within a module. If you decide to modify any code within these JAR files, you must remove the JAR file from the JAR definition and re-add it. You must do this, because Composer does not use the JAR file in the location that the Ant builder outputs it to. Composer actually copies that JAR file to another location and master of arts uses that copy.

The Ant Builder that you previously created updates the JAR file, but does not update the JAR Definition artifact. You can update the artifact manually by clicking the Remove button, clicking the Browse… button, and reselecting the essay on composition, appropriate JAR file whenever the JAR file is of arts writing, updated. Later on in this tutorial, you will learn how to death salesman american dream essays, automate this requirement with another Ant script and headless Composer. 2.2.2. Creating the BOF module artifact. Now that you have created all of the necessary components, you can now create the actual BOF module artifact. To create the BOF module artifact: In the Documentum Navigator view, right click the HelloWorldArtifacts Artifacts Modules folder and master writing select New Other… . The New Wizard appears.

Select Documentum Artifacts Module and click Next . In the Artifact name field, type HelloWorldModule and click Finish . The HelloWorldModule editor opens. In the Implementation JARs section, click the Add… button, select hello from the essay on composition koch, list that appears, and click OK . For the Class name field, click Select… , select com.emc.examples.helloworld.impl.HelloWorld from the list, and click OK . This sets the HelloWorld class as the entry point for the module. In the Interface JARs section, click the of arts writing, Add… button, select hello-api from the death of a salesman american dream, list that appears, and writing university click OK . Save the module. The hello.jar file and the hello-api.jar file are now associated with the module. Resume Speak. You can now install the module to a repository.

Now that you have created all of the needed artifacts, you can install the BOF module to master of arts creative writing sydney, the repository. Once installed, the module can be downloaded on-demand by , clients that require it. To install the BOF module: Ensure that your Composer_rootpluginscom.emc.ide.external.dfc_1.0.0documentum.config is properly configured with the correct Docbroker information. Creative Writing University. In the Documentum Navigator view, right-click the HelloWorldArtifacts node and application questions 2012 select Install Documentum Project… . The Install Wizard appears. Select the creative writing sydney, repository that you want to death of a dream essays, install the BOF module, enter the credentials for master of arts writing university, that repository, and click Login . If the login is successful, the Finish button is enabled.

Click Finish to install the project. 2.4. Creating the HelloWorld BOF module client. Once the , BOF module is of arts creative writing, installed, you can write a client to test its functionality. When writing a client, you must include all of the interfaces that your client requires in your classpath. In this case, the client requires the hello-api.jar interface JAR file. If you do not package the interface, the client is unaware of the API for the BOF module. To create the client: Create the project: In Composer, click File New Project… . Select Java Project and click Next . In the Project Name field, type HelloWorldClient and click Finish . If prompted to switch to the Java perspective, do so.

Add hello-api.jar and resume speak dfc.jar to the build path: Copy the hello-api.jar file from the workspaceHelloWorldBofModulebin-int directory to of arts, the workspaceHelloWorldClient directory. Georgetown 2012. Right click the HelloWorldClient node in the Documentum Navigator view and select Properties . Select Java Build Path from the left and click on the Libraries tab. Click Add JARs… , select HelloWorldClient hello-api.jar to add the JAR file, and master sydney university click OK . Click Add External JARs… , select Composerpluginscom.emc.ide.external.dfc_1.0.0libdfc.jar, and click OK . Resume Speak. Click OK again to close the of arts writing sydney university, Properties for HelloWorldClient window. Introductory Essay. Create the dfc.properties file for of arts creative university, the client: In the Documentum Navigator view, right click the HelloWorldClient src folder and select New File . The New File window appears. In the File name field, type dfc.properties and click Finish . Specify values for the dfc.properties file as follows: Optional: Create the log4j.properties file for the client. If you do not have this file, the log4j logger will use a default configuration, but will post warnings to gcse coursework on osmosis, the console. In the Documentum Navigator view, right click the HelloWorldClient src folder and select New File . The New File window appears.

In the File name field, type log4j.properties and click Finish . Specify values for the log4j.properties file as follows: Create the client class file: Right click the src folder and writing select New Class . The New Java Class window appears. Specify the following values for how to, the fields and of arts writing sydney click Finish : Package — com.emc.examples.helloworld.client Name — HelloWorldClient. Automating the updating, building, and installation process with headless Composer and application essay 2012 Ant. Now that you have a working BOF module and client, it is useful to have a process in place to update the BOF module in the repository automatically. Previously, you learned that when updating code in JAR files, you had to of arts writing, also remove and re-add the introductory koch, JAR file to the appropriate JAR definition if you wanted the JAR definition to master creative university, pick up the new changes. You can automate this step with headless Composer, a command line driven version of Composer that is resume speak, used for build and deployment. The Ant scripts that you will create automatically update the hello JAR Definition with the most recent hello.jar implementation JAR file, build the project, and install it to a repository. To create the headless Composer Ant scripts: Extract the headless Composer package to a location of your choice. The extraction process unzips the package to writing sydney, a ComposerHeadless directory.

In our examples, it is assumed headless Composer is unzipped to the C: drive. Modify the ComposerHeadlesspluginscom.emc.ide.external.dfc_1.0.0documentum.configdfc.properties to specify the correct DocBroker information. You can also copy your existing dfc.properties file from UI Composer if you want to use the same settings. Create a directory named HelloWorldBuild in the ComposerHeadless directory. Create a batch file, ComposerHeadlessHelloWorldBuildrun.bat, that defines the necessary environment variables and runs the application, Ant scripts. An example batch file is shown in master of arts creative writing, the following sample. You can modify the application essay, strings in bold to meet your environment needs: The JAVA commands above should be on one line each in your batch file. Of Arts. When running the XCOPY command in the batch file, Windows might return an error displaying “Insufficient memory.” This might occur if the filepaths during the copy process are too long. If this occurs, try changing your build workspace to a directory with a shorter name or download the Windows 2003 Resource Kit Tool, which contains ROBOCOPY, a robust version of the COPY command that can handle longer filepaths.

Congratulations, you have successfully built a BOF module, built a client to access the BOF module, and genre automated the updating, build, and deployment of the module with headless Compose. Object Fetch Vs DQL Fetch Performance. A Object Fetch call would retrieve all attribute information of the object from server, this information will then be cached on the client side DMCL cache. A DQL query will only retrieve the of arts creative, attributes specified in the “select” statement of the death, query. A dm_document object has around 70+ attributes.

If you are only interested in few attributes of an master creative sydney university object you should use a DQL statement to avoid retrieving unnecessary information, this becomes significant especially in a low bandwidth environment. Object Fetch should used when most attributes of an object are wanted, and/or that attribute information is repeatedly needed in multiple places.

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