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Since 2006, the Riggio Honors Program has been a vital part of the School of Writing at The New School, benefitting over on climate change, 2000 students, and funding over 150. Reviving The New School's American Vanguard publishing imprint, we've undertaken—students and faculty—this Digital Documentary of the Riggio program. We've gathered creative work from faculty and students, highlighted programming, explored the history of The 12th Street Journal, and mit master, offered reflections on on climate, the Riggio experience. You could call them “covers,” these invocations of poems and who was and juliet s death essay, novels that Dylan slips into on climate change his songs on recent recordings, and natalie goldberg thesis statement, the collections are effortlessly retitled: Bob Dylan Sings the essay, Exile Poems of Publius Ovividius Naso , Henry Timrod Revisited, Ovid on Ovid, Live from the Black Sea, and From Twain to Fitzgerald: Nobody Sings Studies in Classic American Literature Better Than Dylan . You might also say they are performed “under cover,” as all this escalating literary traffic tends to fall among Dylan’s many covert operations. Writing Creatively? Poems and novels infiltrate his songs mostly through the on climate, camouflage of more flagrant smuggling. Girl? In “Rollin’ and Tumblin’,” or “Nettie Moore,” or “Summer Days” it’s Muddy Waters, “Gentle Nettie Moore,” and essay on climate, Charlie Patton you register first, and natalie, then only later, if at all, Ovid, Timrod, and essay on climate, The Great Gatsby . Dylan’s literary stealth tilts toward the second story: a bygone Timrod rather than a celebrated Poe, Whitman, or Dickinson; Ovid’s obscurer Tristia over his Metamorphoses . So that when during “Thunder on the Mountain,” the responsible and juliet, lead-in track to essay on climate, Modern Times, Dylan sings, “I’ve been sitting down studying The Art of Love / I think it will fit me like a glove,” that glove is natalie goldberg thesis statement calculated to point at Ovid while also covering up the significant fingerprints here. Of the perhaps 20 nods to the Roman poet across the songs that follow none (as far as I can tell) will touch The Art of Love , the Ovidian sleight-of-hand inside Modern Times emanating instead from Tristia, Black Sea Letters, The Amores, and his “Cures for Love.” Poems, novels, films, and songs, whatever else they do, direct a conversation with the great dead, and on climate change, Dylan’s ghostwriting on his last three CDs, Time Out of Mind, “Love and natalie goldberg thesis, Theft , ” and Modern Times is the most far-reaching of essay on climate change his career. Late in the 16 th century, historian Jonathan Spence recounts, the Jesuit missionary Matteo Ricci “taught the Chinese how to build a memory palace.
He told them that the size of the responsible, palace would depend on how much they wanted to remember . . . One could create modest palaces, or one could build less dramatic structures such as a temple compound, a cluster of on climate change government offices, a public hostel, or a merchants’ meeting lodge. Ppt. Dissertation Oral? If one wished to begin on on climate, a still smaller scale, then one could erect a simple reception hall, a pavilion, or a studio . . . In summarizing this memory system, he explained that these palaces, pavilions, divans were mental structures to be kept in one’s head, not solid objects to be literally constructed out of ‘real’ materials . Natalie Goldberg Thesis? . . To everything we wish to remember, wrote Ricci, we should give an image; and to every one of on climate these images we should assign a position where it can repose peacefully until we are ready to reclaim it by ppt. dissertation, an act of memory.”  On Modern Times, “Love and Theft,” and change, Time Out of Mind, Dylan is teaching us how to build a memory palace, “mental structures”—in this instance, songs—that will lodge past and resources for writing essays, present, the living and the dead. Essay Change? In Chronicles Volume I , his prose investigation of essay artistic self-invention and re-invention, he concluded his account of going inside the New York Public Library to read contemporary newspaper reportage on the Civil War with a spatial image for his memory that shrinks Ricci’s elate palace to a roadside storage unit. “I crammed my head full of as much of this stuff as I could stand and essay change, locked it away in my mind out of goldberg statement sight, left it alone,” Dylan writes. “Figured I could send a truck back for on climate change, it later.”  Echoing Aquinas, Augustine, and Ignatius of Loyola, Ricci stressed that the memory palace must not be envisioned as a passive repository, but by “incorporate[ing] these ‘memories’ of an essay power, unlived past into the spiritual present” his mnemonic system was an instrument for spiritual practice with ancient links to alchemy, magic, and on climate change, writing. “As for those worthy figures who lived a hundred generations ago,” Ricci argued, “although they too are gone, yet thanks to the books they left behind we who come after can hear their modes of discourse, observe their grand demeanor, and understand both the good order and the chaos of their times, exactly as if we were living among them.” Or, as Dylan sings in creatively exercises “Rollin’ and on climate, Tumblin’”: Well, the night’s filled with shadows, the years are filled with early doom. The night is exercises filled with shadows, the on climate, years are filled with early doom. I’ve been conjuring up all these long dead souls from their crumblin’ tombs.
Making the dead available to statement, the living, the memory palace proposes a mechanism for essay on climate change, rendering all time—past, present, future—modern times. Resources For Writing? Since in this little verse of essay on climate change “Rollin’ and responsible for romeo and juliet essay, Tumblin’” the opening repeated phrases derive from “Our Willie,” an essay on climate change, 1865 poem by Timrod, and the final line comes from oral Ovid’s poem of essay on climate change c. Be Specific Natalie Thesis? 16 BCE The Amores , and on climate, both are cut inside a blues out of who was s death Hambone Willie Newbern and on climate change, Muddy Waters, Dylan manages at once here to describe and embody that mechanism. As a culture we appear to have forgotten how to power, experience works of art, or at least how to talk about them plausibly or smartly. A latest instance was the “controversy” in the fall of 2006 shadowing Dylan’s recurrent adaptation of essay on climate change phrases from poems by Henry Timrod, a nearly vanished 19 th century American poet, essayist, and Civil War newspaper correspondent, for Modern Times . That our most gifted and resources for writing essays, ambitious songwriter would revive Timrod on essay on climate change, a No. Be Specific Natalie Thesis Statement? 1 best-selling CD across America, Europe, and Australia might prompt a lively concatenation of responses ranging from “Huh? Henry Timrod? Isn’t that interesting . . .” to “Why?” But narrowing the Dylan/Timrod phenomenon (see the essay change, New York Times article “Who’s This Guy Dylan Who’s Borrowing Lines From Henry Timrod?” and a subsequent op ed piece “The Ballad of Henry Timrod” by singer-songwriter Suzanne Vega) into possible plagiarism is to essay girl power, confuse, well, art with a term paper. Essay Change?  Timrod was born in Charleston, South Carolina, in 1828, his arrival in this world falling two years after Stephen Foster and two years before Emily Dickinson. His work, too, might be styled as falling between theirs: sometimes dark and skeptical, other times mawkish, old-fashioned. These are passages from five Timrod poems Dylan recast for “When the Deal Goes Down”:
There is a wisdom that grows up in strife, And one—I like it best—that that sits at responsible and juliet essay, home. And learns its lessons of essay a thoughtful ease. From a sonnet, “I thank you, kind and best beloved friend”: If I, indeed, divine their meaning truly, And not unto myself ascribe, unduly, Things which you neither meant nor wished to say, Oh! Tell me, is the hope then all misplaced? From “Two Portraits”: Still stealing on with pace so slow.
Yourself will scarcely feel the glow . Dissertation Oral? . . From “A Rhapsody of a Southern Winter Night”: These happy stars, and yonder setting moon, Have seen me speed, unreckoned and untasked, A round of on climate precious hours. Oh! here, where in that summer noon I basked, And strove, with logic frailer than the flowers, To justify a life of sensuous rest,
A question dear as home or heaven was asked, And without language answered. I was blest! From “A Vision of Poesy”: A strange far look would come into his eyes, As if he saw a vision in the skies.  Dylan, I’m guessing, is fascinated by both aspects of Timrod, the antique alongside the brooding. Responsible For Romeo And Juliet S Death Essay? Often tagged the “laureate of the essay, Confederacy”—a title apparently conferred upon him by power, none other than Tennyson—he still shows up in anthologies because of poems he wrote celebrating and then mourning the new Southern nation, particularly “Ethnogenesis” and essay on climate change, “Ode Sung on the Occasion of Decorating the Graves of the Confederate Dead at Magnolia Cemetery.” Early on, Whittier and Longfellow admired Timrod, and his “Ode” stands behind Allen Tate’s “Ode to the Confederate Dead” (and thus in oral turn behind Robert Lowell’s “For the Union Dead”). On Modern Times Dylan shuns anthology favorites, but his album focuses at least 13 instances of essay on climate change phrases spread across five songs—“Spirit on the Water,” “Workingman’s Blues #2,” “Beyond the dissertation oral, Horizon,” “Rollin’ and Tumblin’,” and on climate change, “When the Deal Goes Down”—culled from as many as eight Timrod poems, mostly poems about love, friendship, loss, death, and poetry. Ppt. Oral Defense? (Note: “Katie” and “To Thee,” besides the six Timrod poems already noted.) Dylan quoted Timrod’s “Charleston” in “’Cross the Green Mountain,” a song he contributed to the soundtrack of the 2003 Civil War film Gods and Generals . Two years earlier he glanced at “Vision of Poesy” for “Tweedle Dee and Tweedle Dum” on “ Love and Theft.” For “Tweedle Dee and Tweedle Dum,” Dylan cribbed those “stately trees” and “secrets of the change, breeze” from Timrod’s “A Vision of responsible Poesy,” as well as the epigrammatic, “A childish dream is a deathless need,” and the ensuing rhyme of “need” and “creed.” On Modern Times Timrod accents texture, tone, and atmosphere.
For “Spirit on on climate, the Water,” Dylan found “explain / The sources of for romeo and juliet s death essay this hidden pain” in “Two Portraits.” For “Workingman’s Blues #2” he located “to feed my soul with thought” in “To Thee,” and that rhyming “lover’s breath” and “a temporary death” also in “Two Portraits.” “Beyond the Horizon” teases out at least four Timrod poems—“In the long hours of twilight” arriving via “A Vision of essay on climate change Poesy”; “mortal bliss” from thesis “Our Willie”; “an angel’s kiss” from “A Rhapsody of essay on climate change a Southern Winter Night”; and those chiming “bells of St. S Death Essay? Mary” from “Katie.” Dylan often absorbs Timrod by reversing or otherwise varying the original sense—“But not to feed my soul with thought,” Timrod wrote; and sleeping “virtues” rather than sleep itself intersected “a temporary death.” “I always try to turn a song on its head,” Dylan told Robert Hilburn in change a 2004 interview about songwriting. “Otherwise, I figure I’m wasting the listener’s time.”  The pining strains of Timrod’s inflections notably complement the ‘20s, ‘30s, and ‘40s popular singers Dylan steadily evokes on Modern Times , such as Bing Crosby, who presumably too is acknowledged here, also via that reference to The Bells of St. Resources For Writing Essays? Mary’s . Perhaps more surprisingly, Timrod does not (as far as I can tell) grace “Nettie Moore,” Dylan’s revisiting of “Gentle Nettie Moore” (aka “The Little White Cottage”), a minstrelsy song about a young girl sold into on climate change slavery published by Marshall S. Pike and James S. Pierpont in 1857. But Henry Timrod, I want to suggest, might only inscribe another deep-cover Dylan covert operation, a deflective gesture intended to divert our scrutiny from the actual priority of Ovid on Modern Times . During his sophomore year at Hibbing High School Robert Zimmerman joined the Latin Club, and once recognized, Ovid is everywhere, Tristia , Black Sea Letters , “Cures for Love,” and The Amores , all in translations by girl, Peter Green: the early love poems, certainly, but especially the poems Ovid wrote after he was exiled by on climate, Augustus to responsible s death, Tomis, on the shores of the change, Black Sea, perhaps because of his scandalous verses, perhaps because of still-enigmatic offenses against the Empire. From “Spirit on the Water,” “Rollin’ and Tumblin’,” and “Someday Baby” through “Workingman’s Blues #2,” “Nettie Moore,” “The Levee’s Gonna Break,” and “Ain’t Talkin’,” at least seven of the ppt. dissertation oral defense, ten songs refocus language, often entire lines from Green’s Ovid, and the Ovidian netting emerges as more ubiquitous than any of the Dylan websites have so far indicated. Amid variations for on climate change, his own metrical designs, Dylan pirates locutions no songwriter would need to steal from a Latin poet, since they sound like they already spring from who was for romeo and juliet s death essay old blues, country, and on climate change, rockabilly lyrics—“a face that begs for mit master thesis template, love,” “am I wrong in thinking / That you have forgotten me,” “I swear I ain’t gonna touch another one for years,” “dearer to me than myself, as you yourself can see,” “you got me so hooked,” and “I want to be with you any way I can.”  During the anatomy of his reading in Chronicles , Dylan recalls that on the shelves of Ray Gooch’s New York library, “Ovid’s Metamorphoses , the scary horror tale, was next to the autobiography of Davy Crockett.” Here, classical mythology jostles American legend. On Climate? Publius Ovidius Naso was born into a landed-gentry family at Sulmo (now Sulmona) in central Italy in resources for writing 43 B.C. As Green observes for essay on climate change, his introduction to The Poems of Exile , this was “the year after Caesar’s assassination” and creatively, Ovid “grew up during the violent death throes of the essay on climate, Roman Republic.” Ovid published a version of mit master thesis The Amores as early as 15 B.C., soon followed by Heroides, The Art of Love , Remedia Amoris , Metamorphoses , and Fasti . Augustus exiled him to Tomis (now Constanta) in A.D.
8. “It was two offenses undid me,” Ovid alleged in Tristia , “a poem and an error: / on the second, my lips are sealed.” One genealogical angle on essay on climate change, the Dylan/Ovid connection is that in Chronicles he traces his own family back to dissertation oral, the cities and towns along the Black Sea. “My grandmother’s voice possessed a haunting accent,” he reports, “face always set in a half?despairing expression. . . . Essay? Originally, she’d come from Turkey, sailed from Trabzon, a port town across the Black Sea.” He links Odessa—the city his grandmother traveled from to ppt. oral defense, America—to Duluth: “the same kind of temperament, climate and landscape and essay on climate, right on writing exercises, the edge of on climate a big body of mit master template water.” I’m guessing that Green’s translations appeal to Dylan because Green himself is so mercurial a verbal trickster, and there are moments when Ovid even appears to be channeling early Dylan. “You better think twice,” Green has Ovid advising on the same page of essay The Amores where Dylan would have discovered, “Catch your opponents sleeping / And unarmed. Who Was Responsible And Juliet? Just slaughter them where they lie.”  Ovid is talking about lovers and on climate change, bedroom maneuvers here, and dissertation defense, much as Timrod, he insinuates ambiance, timber, and character across Modern Times . Along with those “crumbling tombs” for “Rollin’ and Tumblin’” (or as Green blues-ily translates Ovid: “She conjures up long-dead souls from their crumbling sepulchres / And has incantations to split the solid earth.”), Dylan plucked that “house-boy” and “well-trained maid” from The Amores , albeit in essay a neat inversion. Whereas now it’s the for romeo s death, singer who’s “nobody’s houseboy,” and “nobody’s well-trained maid,” Ovid originally advised a Roman gentleman intent on seduction, “You must get yourself a houseboy / And a well-trained maid, who can hint / What gifts will be welcome.” An ostensibly Katrina-esque detail from “The Levee’s Gonna Break”—“Some people got barely enough skin to cover their bones”—first appeared in Tristia amidst Ovid’s description of essay change his own harsh life in Tomis, after his exile from Rome. For “Someday Baby” Dylan gleaned “I’m gonna drive you from your home just like I was driven from thesis statement mine” from essay change a contrast Ovid posed between his own fate on the Black Sea and the journey of for writing essays Odysseus: “He was making for his homeland / A cheerful victor: I was driven from mine, / fugitive, exile, victim.”  Yet Ovid, unlike Timrod, also furnished essential structural scaffolding for songs on Modern Times , yielding transitions and key images.
The strongest songs are all but unthinkable without Ovid, at least Green’s Ovid. The devastating final tag of the chorus for “Nettie Moore”—“The world has gone black before my eyes”—issues from essay a dream vision in The Amores . Beyond the who was responsible for romeo essay, bluesy phrases already noted, a partial inventory for “Workingman’s Blues #2” tracks “My cruel weapons have been put on the shelf,” “No one can ever claim / That I took up arms against you,” and “I’m all alone and change, I’m expecting you / To lead me off in a cheerful dance” back to Tristia . Ovid loops through “Ain’t Talking” as insistently as the “Heart’s burning, still yearning” refrain Dylan imported from the mit master template, Stanley Brothers: If I catch my opponents ever sleeping, I’ll just slaughter them where the lie. They will tear your mind away from contemplation. All my loyal and essay on climate, my much-loved companions. They approve of me and share my code. Make the most of writing creatively exercises one last extra hour. I practice a faith that’s long-abandoned. Who says I can’t get heavenly aid?
The suffering is unending. Every nook and cranny has its tears. I’m not nursing any superfluous fears. In the last outback at essay, the world’s end Each of these vitalizing lines, again calibrated by elisions and reversals, arise from Tristia , The Amores , and Black Sea Letters . Power? Ovid famously was a skilled gardener—“Yet does not my heart still year for change, those long-lost meadows . Essay? . . those gardens set amid pine-clad hills,” as he wrote in the first of The Black Sea Letters . So pervasive is his imprint on “Ain’t Talkng” that it’s tempting to set the song in the abandoned gardens of his country villa. “There’s no one here,” Dylan sings, “the gardener is gone.” From the dustup in essay on climate the Times— after our paper of record found a middle school teacher who branded Dylan “duplicitous,” Suzanne Vega earnestly supposed that Dylan probably hadn’t filched the texts “on purpose”—you might not know we just lived through a century of Modernism. For Timrod and for writing essays, Ovid are just the tantalizing threshold into Dylan’s vast memory palace of essay on climate change echoes. Natalie Goldberg? Besides Ovid and Timrod, for instance, Modern Times taps into the Bible ( Genesis , Exodus , Samuel , John , Luke , among others), Tennyson, Robert Johnson, Memphis Minnie, Kokomo Arnold, Muddy Waters, Sonny Boy Williamson, Blind Lemon Jefferson, the Stanley Brothers, Merle Haggard, Hoagy Carmichael, Cole Porter, Jerome Kern, standards popularized by Jeanette MacDonald, Crosby, and Frank Sinatra, as well as vintage folk songs like “Wild Mountain Thyme,” or “Frankie and Albert.” Still more astonishing, though, his prior two recordings Time Out of on climate Mind and “Love and Theft” could be described as rearranging the entire American musical and literary landscape of the and juliet, past 150 years, except the change, sources he adapts aren’t always American or so recent. Girl Power? Please forgive another Homeric catalogue, but the scale and essay, range of Dylan’s allusive textures are vital to an appreciation of what he’s after on his recent recordings.
On Time Out of Mind and “Love and Theft” he refracts folk, blues, and pop songs created by or associated with Crosby, Sinatra, Charlie Patton, Woody Guthrie, Blind Willie McTell, Doc Boggs, Leroy Carr, Bessie Smith, Billie Holiday, Elvis Presley, Blind Willie Johnson, Big Joe Turner, Wilbert Harrison, the Carter Family, and Gene Austin, alongside anonymous traditional tunes and nursery rhymes. But the revelation involves the essay, cavalcade of film and literature fragments: W. C. Essay On Climate Change? Fields, the Marx Brothers, assorted film noirs, As You Like It , Othello, Robert Burns, Lewis Carroll, Huckleberry Finn , The Aeneid , The Great Gatsby , Junichi Saga’s Confessions of goldberg thesis a Yakuza, Confederate General Nathan Bedford Forrest, and on climate change, Wise Blood . So crafty are Dylan’s reconstructions for “Love and power, Theft” that I wouldn’t be surprised if someday we learn every bit of speech— no matter how intimate, or Dylanesque—can be trailed back to essay change, another song, poem, movie, or novel. One conventional approach to Dylan’s songwriting references “folk process” and recognizes that he’s always operated as a magpie, recovering and transforming hand-me-down materials, lyrics, tunes, even film dialogue (notably on his 1985 album Empire Burlesque ). Folk process can readily map the associations linking “It Ain’t Me Babe” and “Go ‘Way from My Window,” or tail his variations on ppt. dissertation oral, traditional blues triplets on “Rollin’ and Tumblin’.” In his interview with Hillburn, Dylan illustrated his folk process, remarking that he “meditates” on a song. “I’ll be playing Bob Nolan’s ‘Tumbling Tumbleweeds,’ for essay, instance, in my head constantly—while I’m driving a car or talking to a person or sitting around or whatever. Creatively Exercises? People will think they are talking to me and essay on climate, I’m talking back, but I’m not. Ppt. Oral Defense? I’m listening to the song in my head. At a certain point, some of the words will change and I’ll start writing a song.”  Yet what about Ovid and Timrod, or Twain, Fitzgerald, O’ Connor, and Confessions of a Yakuza ? It’s no stretch to essay on climate, imagine a writer rehearsing Timrod’s “A childish dream is now a deathless need,” or Ovid’s “I’m in the last outback at the world’s end,” on the way to writing exercises, a song.
But the lyrics that draw on multiple Ovid and Timrod poems, and shrewdly tweak the sources? That play Ovid against on climate change, Timrod, or merge the two into a single verse? Might that require books, notes, other constellations of intention? Perhaps along the lines of what Dylan said of painter Norman Raeben and Blood on the Tracks— “He put my mind and my hand and my eye together, in a way that . . . did consciously what I used to do unconsciously”? Folk process probably validates Dylan in his current designs, but if those allusive gestures are also folk process, then a folk process pursued with such intensity, scope, audacity, and verve eventually explodes into Modernism. Defense? Dylan seems galvanized by the ways folk process bumps up against on climate change, Modernism, and exercises, the practices of the great blues songwriters intersect the inter-textual dispositions of the Classical poets.
As far back as “Desolation Row,” he sang of essay on climate change “Ezra Pound and T. S. Eliot / Fighting in girl power the captain’s tower / While calypso singers laugh at essay change, them / And fishermen hold flowers.” His emphatic nods to the past on for romeo s death, Time Out Of Mind, “Love and Theft” and Modern Times probably can best be apprehended as instances of Modernist collage. If we think of Modernist collages as verbal echo chambers of harmonizing and clashing reverberations, then they tend to organize into on climate change two types. Those collaged texts, like Pound’s Cantos or Eliot’s “The Waste Land,” where we are meant to remark the ppt. oral defense, discrepant tones and idioms of the original texts bumping up against one other; and essay change, those collaged texts, composed by poets as various as Kenneth Fearing, Lorine Niedecker, Frank Bidart, and John Ashbery, that aim for an apparently seamless surface. A model of the for romeo and juliet s death essay, former is the essay change, ending to “The Waste Land”: London Bridge is falling down falling down falling down. Poi s’ascose nel foco che gli affina. Quando fiam ceu chelidon —O swallow swallow.
Le Prince d’Aquitaine a la tour abolie. These fragments I have shored against my ruins. Why then Ile fit you. Hieronymo’s mad againe. Datta. Ppt. Dissertation Oral Defense? Dayadhvam. Damyata. Shantih shantih shantih  The following passage by essay change, Frank Bidart, from his poem “The Second Hour of the be specific goldberg, Night,” proves as allusive as Eliot’s, nearly every line rearranging elements assembled not only from essay change Ovid, his main source for the Myrrha story, but also Plotinus and even Eliot. But instead of incessant fragmentation, we experience narrative sweep and creatively exercises, urgency: As Myrrha is drawn down the dark corridor toward her father.
not free not to desire. what draws her forward is neither COMPULSION nor FREEWILL:— or at least freedom, here choice, is not to be. imagined as action upon. preference: no creature is free to choose what. allows it its most powerful, and change, most secret, release: I fulfill it, because I contain it— it prevails, because it is within me— it is a heavy burden, setting up longing to enter that. realm to goldberg thesis statement, which I am called from within . On Climate Change? . For Writing Essays? . As Myrrha is drawn down the essay on climate, dark corridor toward her father.
not free not to choose. she thinks, To each soul its hour . Dylan’s songwriting inclines toward the cagier, deflected Bidart-Ashbery-Fearing-Neidecker Modernist mode. We would scarcely realize we are inside a collage unless someone told us, or we abruptly seized on responsible for romeo and juliet s death essay, a familiar locution. The wonder of the essay on climate, dozen or so nuggets Dylan sifted from Confessions of a Yakuza for “Love and mit master template, Theft” is how casual and personal they sound dropped into his songs, a sentence once about change a bookmaker reemerging as an aside on marriage in “Floater”: “A good bookie makes all the difference in a gambling joint—it’s up to him whether a session comes alive or falls flat.” Not one of essay girl power those “ Love and Theft” songs, of essay course, is remotely about a Yakuza, or gangster of any persuasion. The issue of what we gain if we heed the multifarious allusions lodges a more tangled crux. For a long time I preferred to think of the phrases as curios of who was responsible and juliet s death vernacular speech picked up from Dylan’s listening or reading that slant his songs into something like collective, as against individual utterances, and only locally influence his designs. But after immersion in Ovid and change, Timrod, it’s hard to miss both grand and specific calculations. Writing Creatively? Dylan manifestly is, for instance, fixated on the American Civil War. “The age that I was living in didn’t resemble this age,” as he wrote in on climate change Chronicles , “but it did in some mysterious and traditional way. Not just a little bit, but a lot. There was a broad spectrum and commonwealth that I was living upon, and the basic psychology of that life was every bit a part of it.
If you turned the light towards it, you could see the ppt. oral defense, full complexity of human nature. Back there, America was put on change, the cross, died, and who was for romeo s death, was resurrected. There was nothing synthetic about it. The godawful truth of that would be the all-encompassing template behind everything I would write.”  His 2003 film Masked Anonymous takes place against essay on climate, the backdrop of for writing essays another interminable domestic war during an unspecified future. Dylan sees links between the on climate, Civil War and America now—the echoes from Timrod help him frame and sustain those links. Ovid too lived through the assassination of writing exercises Julius Caesar, the violent Roman internal conflicts, and wrote at the start of the Pax Augusta. Even the tibits of Yakusa oral history irradiate the terrain. On recordings steeped in change empire, war, corruption, masks, moral failure, male power, and self-delusion, aren’t Tokyo racketeers as apt as Charlie Patton or the Carter family? Ovid and Timrod (or Twain, O’Connor, and Fitzgerald) should not be mistaken for responsible and juliet s death essay, a high-brow alternative to the “old weird America” of essay Dock Boggs; they’re an extension of it.
Exile, ghosts, romantic and spiritual abandonment, wary dawn departures, an abiding death-in-life—the devastated inflections of Tristia and Black Sea Letters offer the who was responsible for romeo and juliet s death, closest analogue in poetry I know to Time Out of Mind , particularly to “Love Sick,” “Not Dark Yet,” “Tryin’ to Get to on climate change, Heaven,” and “Highlands.” Ovid obsessively revisits his apprehension that he “made a few bad turns”: . . . Essay Power? yet sick though my body is, my mind is essay on climate change sicker. from endless contemplation of writing exercises its woes. Absent the city scene, absent my dear companions, absent (none closer to my heart) my wife: what’s here is essay a Scythian rabble, a mob of trousered Getae— troubles seen and ppt. oral defense, unseen both prey on my mind. One hope alone in essay change all this brings me some consolation— that my troubles may be soon cut short by thesis template, death.  The phantoms of Ovid and on climate, Timrod transform individual songs. Dylan’s “Rollin’ and Tumblin’” pushes past the eroticism—and erotic anger—of the Hambone Willie Newbern and Muddy Waters versions towards something like forgiveness: “Let’s forgive each other, darlin’, let’s go down to the Greenwood Glen.” The axle of that forgiveness is the sudden nod to mortality in the verse I quoted earlier about the “long dead souls” and their “crumbling tombs,” out of Ovid. Essay? Yet isn’t our alertness to mortality also deepened after we know that the prior repeated line that Dylan reshaped from Timrod, “Well, the night is filled with shadows, the change, years are filled with early doom,” draws on “Our Willie,” a heart-sore, self-accusing poem about the death of the girl power, poet’s son? Similarly, isn’t the haunted and inconsolable refrain from “Nettie Moore”—“the world has gone black before my eyes”—still more haunted and inconsolable after we return the line to Ovid’s nightmare vision about “the stain of essay on climate change adultery” in exercises The Amores ? In “Workingman’s Blues #2” Dylan persistently roots his litany of the troubles of globalization in references to essay on climate, Ovid’s exile from Rome, as though the poet (and his poems) were only the first victims of outsourcing among the “proletariat.” “Ain’t Talkin’,” as submitted earlier, all but namechecks Ovid’s dark, bitter personal story, reclaiming his grief and anger, his vengeance and writing creatively exercises, narratives of a “world gone wrong” as Dylan’s own. When Dylan lifts from Ovid and Timrod, the essay on climate change, phrases often occur during passages where the original poets discuss their art. Creatively? That “cheerful dance” and those “countless foes” are items in Ovid’s reply to a friend who urged him to “divert these mournful days with writing.” As Dylan sings, “I practice a faith that’s long abandoned,” he glances at on climate, a section of Tristia where Ovid is reflecting on ppt. oral defense, the quandaries of keeping his Latin alive amidst the “barbaric” languages of Tomis:
Yet, to prevent my voice being muted. in my native speech, lest I lose the common use. of the Latin tongue, I converse with myself, I practice. terms long abandoned, retrace my sullen art’s. ill-fated sins. Thus I drag out my life and essay change, time, thus. tear my mind from the contemplation of my woes. Through writing I seek an anodyne to misery: if my studies. Win me such a reward, that is enough.  Even when Ovid exclaimed, “I want to be with you any way I can,” he was not addressing a lover but his audience back in Rome reading the new poems he was sending them from the Black Sea.
Finally, Timrod’s recurrently invoked “A Vision of Poesy” traces in fanciful, mythic guises the curious route that might guide a boy born of “humble parentage” in Charleston, South Carolina, say, or in Duluth, Minnesota, to poetry. During his incisive entry on Street Legal for The Bob Dylan Encyclopedia, Michael Gray argues that, “Every song deals with love’s betrayal, with Dylan’s being betrayed like Christ, and, head on, with the need to abandon woman’s love.” On Time Out of Mind , and especially “Love and Theft ” and Modern Times , art and tradition—I wish to propose—now seize the ground zero once occupied by love, and later God. Dylan always emphasized the traditional footing of his writing. “My songs, what makes them different is that there’s a foundation to them,” he told Jon Pareles. “They’re standing on a strong foundation, and subliminally that’s what people are hearing.” Yet the current intensification of his allusive scale is undeniable. Without ever winking, Dylan proves canny and be specific natalie, sophisticated about all this, though after a fashion that recall’s Laurence Sterne’s celebrated attack on plagiarism, itself plagiarized from The Anatomy of on climate change Melancholy . On “Summer Days” from “Love and writing creatively exercises, Theft” Dylan sings: She’s looking into my eyes, and she’s a-holding my hand. She looking into my eyes, she’s holding my hand, She says, “You can’t repeat the essay, past,” I say, “You can’t?
What do you mean you can’t? Of course, you can.” His puckish, snaky lines dramatize precisely how one can, in power fact, “repeat the essay on climate, past,” since the lyrics slyly reproduce a conversation from The Great Gatsby . On Modern Times , Dylan veers from mediumistic—“I’ve been conjuring up these long dead souls from their crumblin’ tombs”—to self-mocking: “I’m so hard pressed, my mind tied up in knots / I keep recycling the same old thoughts.” When asked what he believed by David Gates during a 1996 interview in who was s death essay Newsweek , Dylan replied, “I find the religiosity and philosophy in the music. I don’t find it anywhere else. Songs like ‘Let Me Rest on a Peaceful Mountain’ or ‘I Saw the essay change, Light’—that’s my religion. I don’t adhere to essay girl power, rabbis, preachers, evangelists, all of that. I’ve learned more from the songs than I’ve learned from any of this kind of entity. The songs are my lexicon. I believe the songs.” Let’s presume that by “songs” Dylan now also must mean poems, such as Ovid’s or Henry Timrod’s, and novels, such as Fitzgerald’s, along with traditional folk hymns and blues. Speaking to his 16 th century Chinese listeners, Matteo Ricci affirmed the imperative of essay on climate “good roots or foundation,” and ppt. defense, conceived the memory palace he offered them inside a Renaissance visionary architecture that “not only performs the office of conserving for us the essay, things, words and acts which we confide to it . Essay Girl Power? . . but also gives us true wisdom.” 
In The Memory Palace of on climate change Matteo Ricci , Jonathan Spence quotes Augustine from the Confessions , “Perchance it might be properly said, ‘there be three times; a present of things past, a present of things present, and a present of things future.’” Dylan, too, as far back as his Renaldo and Clara pressed the eternizing powers of art. “The movie creates and holds the time,” he told Jonathan Cott. “That’s what it should do—it should hold that time, breathe in that time and stop time in doing that.” Or, as he again sketched Blood on the Tracks, “Everybody agrees that was pretty different, and what’s different about it is that there’s a code in the lyrics and also there’s no sense of time. There’s no respect for it: you’ve got yesterday, today and tomorrow all in the same room, and responsible for romeo s death, there’s little that you can’t imagine not happening.”  All in the same room . Essay? Dylan’s “conjuring,” as he might say, and as Ovid did say, of the dead on Time Out of Mind , “Love and Theft,” and Modern Times stands among the goldberg statement, most daring, touching, and original signatures of his art. Essay? Who else—or who besides classical Roman poets—writes, has ever written, songs as layered and textured as these? Sheltering the dead among the essay, living, his memory palace tips past into present, but conjurers inevitably summon also the shadows ahead. “Whatever music you love, it didn’t come from essay change nowhere,” Dylan recently advanced on his radio show, and Theme Time Radio Hour is be specific another wing of his memory palace. “It’s always good to essay change, know what went down before you, because if you know the past, you can control the future.”  Jonathan D. Spence, The Memory Palace of Matteo Ricci (New York: Penguin, 1984), pp.
1-2.  Bob Dylan, Chronicles Volume I (New York, Simon Schuster, 2004), p. 86.  See New York Times for September 14, 2006 and oral, September 17, 2006.  All Timrod quotations are drawn from Poems of Henry Timrod with Memoir and on climate, Portrait (B. F. Johnson Publishing Co., Richmond, 1901, and reprinted in facsimile by Kessinger Publishing). Also helpful: Walter Brian Cisco’s Henry Timrod: A Biography (Madison: Fairleigh Dickinson University Press, 2004).  For passages where there are even minor departures between Dylan and Timrod, and when I do not quote the template, Timrod source elsewhere in this essay, here are the relevant Timrod “originals”: “How then, O weary one!
Explain / The sources of that hidden pain?” (“Two Portraits”); “You will perceive that in the breast / The germs of many virtues rest, // Which, ere they feel a lover’s breath, / Lie in a temporary death . . .” (“Two Portraits”); “Ah! Christ forgive us for essay on climate change, the crime / Which drowned the memories of the time / In a merely mortal bliss!” (“Our Willie”); “And o’er the city sinks and swells / The chime of old St. Mary’s bells . . .” (“Katie”).  Jonathan Cott (editor), Bob Dylan: The Essential Interviews (New York: Wenner Books), p. 432.  Green’s translations can be found in Ovid, The Erotic Poems (London: Penguin Books, 1982) and Ovid, The Poems of Exile (Berkeley: University of California Press, 2005). Dylan studied Latin for two years at Hibbing High School, but was Ovid among the authors he translated? During my own sophomore Latin class at Boston College High School, we read the “Pyramis and Thisbe” story from ppt. dissertation defense Book IV of essay on climate change The Metamorphoses . It was also at BC High that I first encountered Matteo Ricci, a hero for the Jesuits who taught and who was responsible and juliet, resided there, and during a senior year Asian Studies course we were assigned an early biography of the Jesuit missionary to China, Vincent Cronin’s The Wise Man from the West (New York: EP Dutton, 1955). Any mention of on climate “memory” in proximity to Bob Dylan inevitably must also be indebted to Robert Cantwell’s brilliant chapter on Harry Smith and Robert Fludd, “Smith’s Memory Theater,” in When We Were Good (Cambridge: Harvard University Press, 1996). I also benefited from essay girl power Francis A. Yates’s The Art of Memory (Chicago: University of Chicago Press, 1966), and an anthology edited by on climate, Mary Carruthers and Jan M. Ziolkowski, The Medieval Craft of Memory (Philadelphia: University of Pennsylvania Press, 2002).
 Or as these lines and phrases appear in Green’s translations: “The facts demand Censure, the face begs for love—and gets it . For Writing? . .” ( The Amores , Bk. Essay? 3, Section 11B); “May the gods grant that my complaint’s unfounded / that I’m wrong in resources for writing essays thinking you’ve forgotten me!” ( Tristia, Bk. V, Section 13); “Revulsion making you wish you’d never had a woman / And swear you won’t touch one again for years…” (“Cures for Love,” ll.416-7); “…wife dearer to change, me than myself, you yourself can see . . .” ( Tristia, Bk. V, Section 14); “This girl’s got me hooked . . Creatively? .” ( The Amores, Bk. 1, Section 3); and “ I want to essay on climate, be with you any way I can . . . ” ( Tristia , Bk. V, Section 1)  Dylan, Chronicles , pp. 36-37. For Writing Essays? By referencing “the scary horror tale” (not tales ) might he be conflating Ovid ( Metamorphoses ) and Kafka ( The Metamorphosis )? Is this mention of Ovid in essay on climate Chronicles an early signal of his interest in the Roman poet for Modern Times ?  Green, “Introduction” to The Poems of Exile , xix.  Dylan, Chronicles , pp. Ppt. Dissertation Defense? 92-93.
 The Amores , Bk. 1, Section 9.  For the Ovid/Green sources: “Crumbling sepulchers,” etc. from The Amores , Bk. 1, Section 8. “Houseboy,” etc. from The Amores , Bk. 1, Section 8. “Barely enough skin,” etc, from Tristisa , Bk. IV, Section 6 (“I lack my old strength and colour, / there’s barely enough skin to cover my bones . . .”). On Climate? “Driven from mine,” etc. from Tristia, Bk.
I, Section 5.  For the Ovid/Green sources: “’ . . . Ppt. Defense? The bruise on on climate, her breast bears witness / To the stain of adultery.’ There his interpretation ended. At those words the blood ran freezing/ From my face, and the world went black before my eyes . Resources For Writing? . .” ( The Amores , Bk. 3, Section 5). “Show mercy, I beg you, shelve your cruel weapons . . .” ( Tristia, Bk. II). “You write that I should divert these mournful days with writing . Essay? . . Priam, you’re saying, should have fun fresh from resources for writing essays his son’s funeral, / or Niobe, bereaved, lead off some cheerful dance . . .” ( Tristia? Bk. V, Section 12).  As these various lines appear in Ovid/Green: “Catch your opponents sleeping / And unarmed. Just slaughter them where they lie . . .” ( The Amores , Book 1, Section 9). “I practice / terms long abandoned, retrace my sullen art’s / ill-fated signs. Thus I drag out my life and time, thus / tear my mind from the contemplation of my woes . On Climate? . .” ( Tristia , Bk. V, Section 7). “[L]oyal and much-loved companions, bonded in brotherhood . Power? . .This may well be my final chance to essay change, embrace them—let me make the most of be specific natalie thesis one last extra hour . . .” ( Tristia , Bk. I, Section 3). “ . . . Essay Change? even here you’re already familiar to the native tribesmen, / who approve, and share, your code . . .” ( Black Sea Letters , Bk. 3, Section 2). “Though I lack such heroic / stature, who says I can’t get heavenly aid / when a god’s angry with me?” ( Tristia , Bk.
I, Section 2). “The whole house / mourned at my obsequies—men, women, even children, / every nook and corner had its tears . . .” ( Tristia , Bk. I, Section 3). “Of this I’ve no doubt—but the very dread of misfortune / often drives me to nurse superfluous fears . . .” ( Black Sea Letters? Bk. II. Section 7). “Some places make exile/ milder, but there’s no more dismal land than this / beneath either pole. Ppt.? It helps to be near your country’s borders: / I’m in the last outback, at the world’s end . . .” ( Black Sea Letters , Bk. II, Section 7).  Ovid on his garden is from Black Sea Letters , Bk. I, Section 8. But Ovid’s garden in “Ain’t Talkin’”?
Or Tennyson’s (via “Maud”), as Christopher Ricks proposes? The Garden of Eden? God (or Christ) appears often in essay on climate change the guise of a gardener in ppt. dissertation defense Renaissance poems. A case can also be made that the absent gardener at the finish is the on climate, singer himself, unconscious (perhaps even dead) after he was “hit from be specific goldberg behind” in on climate the opening verse, and presiding over creatively, the scene as a ghost.  Dylan quoted by Michael Gray in The Bob Dylan Encyclopedia (New York: Continuum, 2006) in his entry on Raeben, p. 561.
 T. S. Eliot, “The Waste Land” (1922) in Collected Poems 1909-1962 (New York: Harcourt, 1991), p. On Climate Change? 69.  Frank Bidart, “The Second Hour of the exercises, Night,” in Desire (New York: Farrar, Straus and Giroux), p. 46.  Junichi Saga, Confessions of a Yakuza (Tokyo: Kodansha International, 1991), pp. 153-4. The Dylan lines, from on climate change “Floater (Too Much to Ask),” run: “Never seen him quarrel with my mother even once/ Things come alive or they fall flat.”  Tristia, Bk. Exercises? IV, Section 6.  Timrod, from “Our Willie”: “By that sweet grave, in that dark room,/ We may weave at on climate change, will for each other’s ear,/ Of that life, and who was responsible s death, that love, and that early doom/ The tale which is shadowed here…”  “…I’m barred from relaxation/ in a place ringed by countless foes.” ( Tristia , Bk. On Climate? V, Section 12). Also see above, Note 13.  F. Scott Fitzgerald, The Great Gatsby (1925). As Nick says of Gatsby in Chapter 6: “He broke off and began to walk up and template, down a desolate path of fruit rinds and discarded favors and crushed flowers. ‘I wouldn’t ask too much of her,’ I ventured. ‘You can’t repeat the past.’ ‘Can’t repeat the essay, past?’ he cried incredulously. ‘Why of course you can!’
He looked around him wildly, as if the past were lurking here in the shadow of his house, just out of reach of his hand.”  David Gates, “Dylan Revisited,” reprinted in Studio A: The Bob Dylan Reader , edited by Benjamin Hedin (New York: Norton, 2004), p. 236.  Spence, p. Be Specific Natalie Goldberg Thesis? 20. He is quoting Guilio Camillo (Delminio) on his 16 th century “memory theatre.”  Dylan quoted in MOJO , April, 2007. p. 34. Read Robert Polito’s statement about change The Riggio Honors Program: Writing Democracy. Robert Polito, Director of thesis Writing Programs; Professor of Writing, PhD, English Romanticism, Harvard University. Born in Boston, he is on climate change a poet, biographer, cultural critic, and editor who received his Ph.D. in ppt. dissertation defense English and American Language and Literature from Harvard. Change? His most recent books are the poetry collection Hollywood God , which was selected one of the top five poetry books of the year by Barnes and Noble, The Complete Film Writings of Manny Farber (editor), and D avid Goodis: Five Noir Novels of the 1940s and 50s (editor). His other books include Savage Art: A Biography of Jim Thompson , which received the National Book Critics Circle Award and an Edgar; Doubles (a book of poems); A Reader’s Guide to essay, James Merrill’s The Changing Light at Sandover ; and essay change, At the Titan’s Breakfast: Three Essays on Byron’s Poetry . Essay Girl? He is essay on climate also the editor Library of America volumes Crime Novels: American Noir of the for romeo s death essay, 30s and on climate, 40s, Crime Novels: American Noir of the 50s , and The Selected Poems of Kenneth Fearing, as well as the editor of The Everyman James M. Cain and The Everyman Dashiell Hammett . His essays and poems have appeared in Best American Poetry , Best American Essays , and Best American Film Writing , and ppt. dissertation defense, numerous literature, film, and music anthologies, including Poems of New York , O.K.
You Mugs , 110 Stories: New York Writers After September 11 , The Cambridge Companion to change, Bob Dyla n, and This Is Pop: In Search of the Elusive at The Experience Music Project . He contributed catalog essays to Manny Farber: About Face , and who was for romeo and juliet, P atricia Patterson: Here and essay change, There, Back and Forth . His work also has been published in many magazines, including the New Yorker , Harper’s , the Yale Review , Art Forum , Bookforum , Black Clock , the LA Times Book Review , the Boston Globe , The Poetry Foundation Website, LIT , BOMB , Open City , Ploughshares , the New York Times Book Review , AGNI , and the L os Angeles Review of Books , among others. Polito judges the annual Graywolf Nonfiction Book Prize, and has received fellowships from the Ingram Merrill and the John Simon Guggenheim Foundations. Oral Defense? He is a contributing editor at BOMB , Fence , LIT , and essay on climate change, The Boston Review , and serves on the advisory boards of Cave Canem and the Flow Chart Foundation. He has previously taught at dissertation oral defense, Harvard, Wellesley, and New York University. At the New School, Polito is the on climate, founding Director of the MFA Program in Creative Writing, and the originator (with Len Riggio) of the Len and Louise Riggio Writing Democracy Program and defense, of ASHLAB, a digital mapping project involving John Ashbery’s Hudson, New York house and his poetry.
Current book project: Detours: Seven Noir Lives (forthcoming Knopf). Bob Dylan’s Memory Palace / Robert Polito. Categories → Faculty Works Date → July 2013. Elizabeth Gaffney in Conversation with Jessica Sennett. A Trip to change, Hibbing High / Greil Marcus. Literature in Evolution / Lena Valencia. Transmissions: The Literature of Aids / Josue Rivera.
Animal Farm: Timeline #038; Bias / John Reed. She Hath Writ Diligently Her Own Mind: Elizabeth Childers / Bean Haskell. Bob Dylan’s Memory Palace / Robert Polito. Revisiting the thesis statement, Final Years of Bela Bartok / Liben Eabisa. Conrad Hamanaka Yama / Zoe Rivka Panagopoulos #038; Ricky Tucker.
Spring’s Last Words: Riggio Student Reading / Ashawnta Jackson. The Next Flight / Jefferey Renard Allen. The Inquisitive Eater Blog First Year Anniversary: March 18, 2013 / Jessica Sennett. Riggio Forum: Sean Howe / Natassja Schiel #038; Jessica Sennett. Down the Manhole / Elizabeth Gaffney. Nonfiction Forum: Tom Lutz / Ashawnta Jackson #038; Nico Rosario. Homage to Bill McKibben / Suzannah Lessard. The Unsolved Mystery of “Epitaph to a Love” by Mildred Green, 1948 / Jessica Sennett.
This site was produced by Robert Polito, John Reed, Luis Jaramillo, Laura Cronk, Lori Lynn Turner, Justin Sherwood, Carrington Alvarez, Bean Haskell, and the students of the Spring 2013 Riggio Documentary course, Writing #038; Democracy. American Vanguard, a publishing imprint of the New School Writing Program, revives the name of an annual anthology of writing by New School students from the late 1940s and 1950s.
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Essay on Climate Change - Blog | Ultius
Seven Common Resume Mistakes Pastors Make. With some 400,000 congregations in the United States, the essay on climate, way each church secures a pastor is for romeo s death essay, widely varied. Some churches receive pastors through a denominational appointment system. Other congregations seek a pastor totally independent of any hierarchy. They seek, interview, and change vote in responsible essay, a totally autonomous fashion. Essay Change. Still other churches secure a pastor in some combination of the two approaches. In many of these situations, the church requests resumes of prospective pastors as an responsible for romeo s death essay initial consideration process. I have worked with countless churches helping them to secure and understand the resumes they have received. On Climate. Indeed I have looked at thousands of essay resumes. Many of them are excellent. Others are, well, not.
Allow me to share with you seven of the on climate, more common resume mistakes I see. Any one of these mistakes will likely cause that particular person to be eliminated from consideration. 1. Sloppy resumes. These sloppy resumes have careless grammatical and stylistic errors. Capitalization is mit master thesis, random and spacing is unpredictable. Change. There is no discernible pattern to how the different items on for writing, the resume are placed. On Climate. Just yesterday I heard from a church that eliminated a prospective pastor from consideration because his resume was so sloppy. “If he approaches ministry with this much disregard,” the layman told me, “he certainly will not do well at mit master thesis, this church.” 2. Unverified statistics. It is common and acceptable to put such statistics as worship attendance and the church budget of the pastor’s current church on change, the resume. Make certain that the numbers are accurate.
Otherwise it will appear that the pastor is careless at best and duplicitous at resources essays, worst. 3. Bad photos. Change. Not all pastors choose to put a photo on a resume. If the pastor does decide to use a photo, it should be one of high quality of him or of him with his family. I still am surprised to see how many photos are candid shots that belong on Facebook, or they are of such poor quality that facial features are hardly discernible. 4. Poor presentation of family.
The mistakes here are usually one of two extremes. Some pastors leave off their family entirely. Essay Girl. The prospective church is left to wonder if the on climate, pastor’s family is a priority for him. On the other extreme, I have seen resumes that include so much detail about the pastor’s spouse that it becomes muddled who is really seeking a position. 5. No sense of prioritization. Typically, church leaders receiving resumes presume that how a pastor orders different areas on his resume reflects his priorities. If education is girl, presented first, that is his priority. If family is noted first, that then becomes the perceived priority.
I have seen too many resumes that simply don’t make sense in the manner items are presented. 6. Essay On Climate. Failure to note ministry accomplishments. Those who receive prospective pastor resumes want to know more than the name and essay power address of churches or other places of on climate change ministry and employment. Girl Power. They want to know what was accomplished during that tenure. Of course, pastors must be careful in on climate, how they present such information lest they appear to be bragging or failing to give God the glory. 7. Failure to responsible s death essay explain gaps in date. If a pastor has a two or three year gap on change, his resume, he needs to explain it.
It is better to provide a succinct explanation of what transpired leading toward those years than to leave the recipients wondering. What have you noticed about pastors’ resumes? What would you add to my list? Pastor to essay girl Pastor is the essay change, Saturday blog series at ThomRainer.com. Pastors and be specific natalie staff, if we can help in any way, contact Steve Drake, our director of pastoral relations, at Steve.Drake@LifeWay.com . We also welcome contacts from laypersons in churches asking questions about pastors, churches, or the pastor search process. Jane Wilkinson says. Thank you so much for this blog. Change. I hope it is read widely. I am on dissertation, a pastor search committee of a nondenominational church in Illinois.
Your words are incredibly on target. Our committee has made numerous comments about change how sloppy some of the essay power, resumes are. We have tried to overlook the mistakes on the resumes but, frankly, the candidates we seem to favor are those that took the time to do a quality resume. The sloppy resumes leave us with the impression that the candidate has a poor work ethic and that he is too lazy to proofread read something he writes. I encourage pastors to get outside readers to proofread their resumes. I hate to see an on climate change otherwise good candidate not be considered because of two or three pages of writing exercises a document.
Thom Rainer says. Thanks Jane. Great input! What about those of us who have completed our seminary training, but the only ministry experience that we have had outside of an pastoral internship has been the essay, various areas of service as a layperson. Some people have said not to include it because it was not “full time paid ministry”. Template. Some have said to include it.
I have tried both ways and after two years I am still searching for a full time vocational ministry opportunity. Well stated observations. Another resource we’ve produced in on climate change, Michigan is be specific natalie thesis statement, our SIMPLIFIED SEARCH TEAM TRAINING. We frequently recommend it to prospcetive pastors/staff to essay change hear what we are recommending to search teams. Ppt. Oral. A section of the essay, training is on “how to evaluate resume’s.” Maybe it will be helpful to your readers. It is available at: http://bscm.e-quip.net/presentations/show/2974. Thom Rainer says. The worth of a ministry is not measured by its compensation level or whether you are compensated at all. For Writing Essays. I strongly encourage pastors to include ALL ministry experience, paid and non-paid. Before I served as pastor, I asked the leadership of my church if I could give ten to twenty hours a week as a non-paid minister of evangelism and outreach.
They were happy for me to do so and to give me the on climate change, title I requested. Thom Rainer says. Steve Drake says. Thanks Dr. Rainer for dissertation engaging such an important practical issue for ministers. If it isn’t true elsewhere, it is certainly true here: “You don’t get a second chance to on climate change make a first impression.” I have had students and friends who have said, “I’m not sending resumes. God knows where I am, if He wants me to move, He can send the committee to me.” It is certainly true that God knows where we are, but if He is willing to use a donkey to get someone’s attention, I have no problem realizing He might just use a resume too. More and mit master more in our day, I think it would be good for essay change ministry candidates to provide video footage online on YouTube or Vimeo sites to dissertation defense let the searching group have an “up close and essay change personal” look at the candidate. Mit Master Thesis Template. Recently I was called by a committee asking for essay change a recommendation of a young man. Everything I said about the candidate was already confirmed in his mind because he had read three years of the candidate’s blog.
That church called the candidate and ppt. oral defense wonderful things are happening among them. Good post Dr. Rainer! I would also encourage folks to write a brief philosophy of ministry for the resume. A church can learn a lot about essay change a candidate from essay, a brief but well worded statement describing one’s view of ministry and the church. Now, for a list of things search committees do wrong… Robbie Perkins says. Jonathan…I agree.
When I sent a resume to the church where I am currently serving as pastor I gave a “ministry philosophy” in the form of essay on climate change a cover letter. Dr. Rainer… you mentioned a perceived priority in girl, the listing of on climate info on a resume, is there an order that you might recommend? Thom Rainer says. My preference is to provide brief biographical information first, like date of birth and place of birth. Within the bio, I note my family members, including how long I have been married and power the age of my children if they aren’t adults. Second, I provide a brief ministry and doctrinal statement. Third, I note my education, not because of its priority but because readers expect it near the top. I then note my ministry experience and then secular experience.
Miscellaneous items like published works and denominational experience go near the last, followed by references. There is no best order, but those priorities are my preference and most common on change, the resumes I see. I have my resume’ in almost the same order you described here. I have also reworked my resume’ with consideration given to the advice you provided in this article. All of the information in question covers two pages. I also provide a third page that lists four references. I wish I could post it on here to let you see it, as I have put a lot of resources for writing work into organizing it. But I am wondering if it is too long. Essay On Climate. Some have given me the advise that pastor search committees do not really spend a lot of time pouring over resumes. Natalie Goldberg Thesis Statement. So I should just keep it short and change sweet by exercises providing just the essay on climate change, nuts and bolts; just grab their attention without providing the detail I have given.
So how do I find a happy medium here? Thom Rainer says. Most of the pastor resumes I see are 4-5 pages. The search committees tell me they do like the detail as long as it is not obvious fluff and filler. Thom Rainer says. See my blog on October 3, 2011 where I address that very issue. Thanks. Robbie Perkins says. Thanks Dr.
Rainer. Jim Orchard says. A little off topic but related, search teams how about a little email letting us know you have received the resume and then if you have decided to drop our resume from the list let us know with a note saying thank you for your interest so we can move on dissertation oral, with our search for a church. Thom Rainer says. Thanks. See my blog of October 3, 2011 where I address that matter to search committees. Sam Loveall says. Dr. Rainer, here’s a tip for your readers that you didn’t include – – be sure to essay on climate change fill in all the blanks.
During a search for a new youth minister, we received a resume that began with a cover letter (that I very much wish I had kept.) The letter writer went to great lengths to girl power explain just how God had been leading this young man to our congregation. Intense prayer, advice from others, deep soul searching – – things like that. I wish I could remember the exact words of the “climax” sentence of the letter, but it went some thing like this: “I am convinced that God has great things planned, and I look forward to speaking with you about serving with (church name) as we seek His further will for…” I’m surprised to essay hear you say to include a family section on your resume. Thesis. Coming to the ministry from the business world (where I was a hiring manager) I would never have thought to include info about family since that is essay on climate change, one thing you most definitely would not put on a resume for who was for romeo essay a secular job. Also, I hope that when you work with churches you remind them that this is a two-way street and they are under scrutiny by potential pastors just as the candidates are under scrutiny by essay on climate change them. I’ve had churches contact me seeking a resume who failed to provide any information or very little information or sloppily presented information and the message this sends is writing exercises, that they think they are so wonderful that anyone would be blessed to be their pastor. As true as that may be, I would have no way of knowing how good they are by the info they make available and how they present it. Thanks for these tips and please take it the right way when I say that I hope I never have to essay change use them.
Sometimes, it’s hard for pastors and other ministry professionals to view their calling in job terms. Resources For Writing Essays. But, at least one person on a Search Committee is going to be a business person and are accustomed to essay on climate change seeing professional resumes. They are going to assume that your resume indicates how one will run their church and lead them spiritually. Resources. Will they be able to count on you to on climate change handle things professionally, when someone confesses an addiction problem that would ruin their standing in the community? Will you professionally help families who have been in essay power, bitter disputes for years, when a loved one dies? Many churches are worried about change decline and for writing essays want to know if you are able to lead them toward spiritual and numeric growth. Does your resume give them confidence you can? Do you have any great online or other resources to help pastors develop a ministry resume or portfolio?
Great stuff. Thanks, definitely brought clarity to essay on climate change a foggy situation. Steven Zeigler says. I desire to writing creatively be a worship leader. I have had no paid positions. I have only worked with two pastors and have done three years of mission work in on climate, the U.S. Exercises. God has put his hand on me to be a worship leader. I am working 36 hours a week to support my family of four and change I am age 47 now.
I have not gone to bible college. I have had formal training for five years on organ and thesis I have four years of performance with my college I attended many years ago. I have helped lead worship for five years at a preivously attended church and sang on the choir, yet it has never been a paid position. Essay Change. I now serve on the choir with the Church I am attending. I have attended a worship school with Steve Swanson. Resources For Writing Essays. Not a college. I have asked my pastor to work with him, yet he has never called me or asked to essay on climate change come. My pastor has said, he agrees that God has a call on my life for pastor of worship. Where should I start and what should I do to apply for this position?
I do believe God has opened this door for me and I have prayed. I have called the church to ask questions about the position. Anything above that, I am unsure what to do. Please help. Mark Carlton says. Why do Southern Baptist churches focus so little on Singles’ ministry? With the adult population in the US at more than 50% single, why do churches seem to disregard singles? I live in a city with over a million population and not one Southern Baptist Church has a strong singles ministry. Be Specific Natalie. Southern Baptist used to at least have a large singles conference once a year at Ridgecrest but that conference has significantly dwindled while the singles population has grown substantially.
The church is losing its influence because this segment of the population is being ignored.
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emma goldman essays Emma Goldman 1914. Source : Emma Goldman’s Anarchism and Other Essays . THE popular notion about marriage and love is that they are synonymous, that they spring from the same motives, and cover the same human needs. Like most popular notions this also rests not on actual facts, but on superstition. Marriage and love have nothing in common; they are as far apart as the poles; are, in fact, antagonistic to each other. No doubt some marriages have been the result of love. Not, however, because love could assert itself only in marriage; much rather is it because few people can completely outgrow a convention.
There are to-day large numbers of men and women to essay change whom marriage is naught but a farce, but who submit to it for the sake of public opinion. At any rate, while it is essays, true that some marriages are based on love, and while it is on climate, equally true that in some cases love continues in married life, I maintain that it does so regardless of essay power, marriage, and not because of it. On the other hand, it is utterly false that love results from on climate change, marriage. On rare occasions one does hear of a miraculous case of a married couple falling in love after marriage, but on close examination it will be found that it is a mere adjustment to the inevitable. Certainly the growing-used to each other is far away from the writing creatively, spontaneity, the intensity, and beauty of love, without which the intimacy of marriage must prove degrading to both the woman and essay the man. Marriage is dissertation oral, primarily an on climate economic arrangement, an be specific thesis insurance pact.
It differs from the ordinary life insurance agreement only in essay on climate change, that it is more binding, more exacting. Its returns are insignificantly small compared with the investments. In taking out an insurance policy one pays for it in dollars and cents, always at liberty to discontinue payments. If, how ever, woman’s premium is a husband, she pays for it with her name, her privacy, her self-respect, her very life, “until death doth part.” Moreover, the marriage insurance condemns her to life-long dependency, to parasitism, to complete uselessness, individual as well as social. Man, too, pays his toll, but as his sphere is wider, marriage does not limit him as much as woman.
He feels his chains more in girl power, an economic sense. Thus Dante’s motto over Inferno applies with equal force to marriage: “Ye who enter here leave all hope behind.” That marriage is a failure none but the very stupid will deny. Essay! One has but to glance over the statistics of divorce to realize how bitter a failure marriage really is. Nor will the stereotyped Philistine argument that the laxity of divorce laws and essay the growing looseness of woman account for the fact that: first, every twelfth marriage ends in divorce; second, that since 1870 divorces have increased from change, 28 to 73 for be specific goldberg statement every hundred thousand population; third, that adultery, since 1867, as ground for divorce, has increased 270.8 per cent.; fourth, that desertion increased 369.8 per cent. Added to these startling figures is a vast amount of material, dramatic and literary, further elucidating this subject. Robert Herrick, in Together; Pinero, in Mid-Channel; Eugene Walter, in Paid in Full, and essay change scores of ppt. dissertation oral defense, other writers are discussing the barrenness, the monotony, the on climate change, sordidness, the inadequacy of marriage as a factor for harmony and understanding. The thoughtful social student will not content himself with the popular superficial excuse for this phenomenon.
He will have to dig down deeper into the very life of the sexes to know why marriage proves so disastrous. Edward Carpenter says that behind every marriage stands the life-long environment of the two sexes; an environment so different from each other that man and woman must remain strangers. Separated by an insurmountable wall of dissertation defense, superstition, custom, and habit, marriage has not the potentiality of developing knowledge of, and respect for, each other, without which every union is doomed to failure. Henrik Ibsen, the hater of all social shams, was probably the first to essay change realize this great truth. Nora leaves her husband, not---as the stupid critic would have it---because she is tired of writing, her responsibilities or feels the essay on climate, need of woman’s rights, but because she has come to know that for eight years she had lived with a stranger and borne him children. Can there be any thing more humiliating, more degrading than a life long proximity between two strangers? No need for the woman to writing creatively know anything of the essay on climate change, man, save his income. As to the knowledge of the be specific natalie, woman---what is there to know except that she has a pleasing appearance? We have not yet outgrown the essay, theologic myth that woman has no soul, that she is a mere appendix to man, made out of his rib just for the convenience of the gentleman who was so strong that he was afraid of his own shadow.
Perchance the poor quality of the material whence woman comes is responsible for her inferiority. At any rate, woman has no soul---what is there to know about her? Besides, the less soul a woman has the defense, greater her asset as a wife, the more readily will she absorb herself in her husband. It is this slavish acquiescence to man’s superiority that has kept the marriage institution seemingly intact for so long a period. Now that woman is coming into her own, now that she is actually growing aware of herself as a being outside of the master’s grace, the sacred institution of marriage is change, gradually being undermined, and writing exercises no amount of sentimental lamentation can stay it. From infancy, almost, the average girl is told that marriage is her ultimate goal; therefore her training and education must be directed towards that end.
Like the mute beast fattened for on climate slaughter, she is responsible for romeo s death, prepared for that. Yet, strange to change say, she is allowed to know much less about her function as wife and mit master thesis mother than the ordinary artisan of his trade. It is indecent and filthy for a respectable girl to know anything of the marital relation. Oh, for the inconsistency of essay on climate, respectability, that needs the marriage vow to turn something which is filthy into responsible s death essay the purest and most sacred arrangement that none dare question or criticize. Essay On Climate Change! Yet that is exactly the attitude of the average upholder of marriage.
The prospective wife and mother is kept in complete ignorance of creatively, her only asset in the competitive field---sex. Thus she enters into life-long relations with a man only to find herself shocked, repelled, outraged beyond measure by the most natural and healthy instinct, sex. It is safe to essay say that a large percentage of the girl power, unhappiness, misery, distress, and physical suffering of matrimony is due to the criminal ignorance in sex matters that is being extolled as a great virtue. Nor is it at on climate change all an exaggeration when I say that more than one home has been broken up because of this deplorable fact. If, however, woman is free and big enough to learn the mystery of sex without the sanction of State or Church, she will stand condemned as utterly unfit to become the wife of a “good” man, his goodness consisting of an empty head and plenty of money. Can there be anything more outrageous than the idea that a healthy, grown woman, full of life and passion, must deny nature’s demand, must subdue her most intense craving, undermine her health and creatively break her spirit, must stunt her vision, abstain from the depth and glory of sex experience until a “good” man comes along to on climate take her unto himself as a wife? That is precisely what marriage means.
How can such an arrangement end except in failure? This is one, though not the least important, factor of marriage, which differentiates it from love. Ours is a practical age. The time when Romeo and Juliet risked the wrath of their fathers for love when Gretchen exposed herself to the gossip of mit master template, her neighbors for love, is change, no more. If, on rare occasions young people allow themselves the mit master, luxury of romance they are taken in care by the elders, drilled and on climate pounded until they become “sensible.” The moral lesson instilled in the girl is ppt. dissertation oral, not whether the man has aroused her love, but rather is it, “How much?” The important and only God of practical American life: Can the man make a living? Can he support a wife? That is the only thing that justifies marriage. Gradually this saturates every thought of the girl; her dreams are not of moonlight and kisses, of laughter and tears; she dreams of shopping tours and essay on climate bargain counters.
This soul-poverty and sordidness are the elements inherent in the marriage institution. The State and the Church approve of no other ideal, simply because it is the one that necessitates the State and Church control of men and women. Doubtless there are people who continue to be specific thesis statement consider love above dollars and cents. Particularly is this true of on climate change, that class whom economic necessity has forced to dissertation oral become self-supporting. The tremendous change in woman’s position, wrought by that mighty factor, is essay, indeed phenomenal when we reflect that it is but a short time since she has entered the creatively, industrial arena.
Six million women wage-earners; six million women, who have the equal right with men to be exploited, to be robbed, to go on strike; aye, to starve even. On Climate! Anything more, my lord? Yes, six million age-workers in every walk of mit master thesis, life, from the highest brain work to the most difficult menial labor in essay change, the mines and on the railroad tracks; yes, even detectives and policemen. Surely the emancipation is girl power, complete. Yet with all that, but a very small number of the vast army of women wage-workers look upon work as a permanent issue, in the same light as does man. No matter how decrepit the latter, he has been taught to be independent, self-supporting. Oh, I know that no one is essay change, really independent in our economic tread mill; still, the poorest specimen of a man hates to be a parasite; to be known as such, at any rate. The woman considers her position as worker transitory, to be thrown aside for the first bidder. That is why it is infinitely harder to organize women than men. “Why should I join a union? I am going to get married, to have a home.” Has she not been taught from infancy to look upon that as her ultimate calling?
She learns soon enough that the home, though not so large a prison as the factory, has more solid doors and bars. It has a keeper so faithful that naught can escape him. The most tragic part, however, is that the creatively exercises, home no longer frees her from wage slavery; it only on climate, increases her task. According to the latest statistics submitted before a Committee “on labor and wages, and congestion of Population,” ten per natalie cent. of the wage workers in essay, New York City alone are married, yet they must continue to work at the most poorly paid labor in the world. Add to this horrible aspect the drudgery of house work, and what remains of the protection and glory of the home? As a matter of fact, even the middle class girl in marriage can not speak of her home, since it is the man who creates her sphere. It is not important whether the power, husband is a brute or a darling. On Climate Change! What I wish to for writing prove is that marriage guarantees woman a home only by the grace of her husband. There she moves about in on climate change, his home, year after year until her aspect of life and human affairs becomes as flat, narrow, and drab as her surroundings. Small wonder if she becomes a nag, petty, quarrelsome, gossipy, unbearable, thus driving the man from the be specific natalie goldberg, house. She could not go, if she wanted to; there is change, no place to go.
Besides, a short period of married life, of complete surrender of writing, all faculties, absolutely incapacitates the average woman for the outside world. She becomes reckless in appearance, clumsy in her movements, dependent in her decisions, cowardly in her judgment, a weight and a bore, which most men grow to hate and essay on climate change despise. Wonderfully inspiring atmosphere for power the bearing of life, is it not? But the child, how is it to be protected, if not for marriage? After all, is not that the most important consideration? The sham, the hypocrisy of it! Marriage protecting the child, yet thousands of children destitute and essay on climate homeless.
Marriage protecting the girl power, child, yet orphan asylums and reformatories over crowded, the Society for the Prevention of Cruelty to Children keeping busy in rescuing the on climate, little victims from “loving” parents, to place them under more loving care, the Gerry Society. Oh, the mockery of power, it! Marriage may have the power to “bring the horse to water,” but has it ever made him drink? The law will place the father under arrest, and put him in convict’s clothes; but has that ever stilled the hunger of the child? If the parent has no work, or if he hides his identity, what does marriage do then?
It invokes the law to bring the man to “justice,” to change put him safely behind closed doors; his labor, however, goes not to the child, but to the State. The child receives but a blighted memory of its father’s stripes. As to the protection of the woman,---therein lies the curse of marriage. Not that it really protects her, but the very idea is so revolting, such an outrage and insult on life, so degrading to human dignity, as to forever condemn this parasitic institution. It is like that other paternal arrangement ---capitalism. It robs man of his birthright, stunts his growth, poisons his body, keeps him in ignorance, in poverty and dependence, and then institutes charities that thrive on the last vestige of man’s self-respect. The institution of marriage makes a parasite of woman, an absolute dependent.
It incapacitates her for life’s struggle, annihilates her social consciousness, paralyzes her imagination, and then imposes its gracious protection, which is in reality a snare, a travesty on human character. If motherhood is the for writing, highest fulfillment of woman’s nature, what other protection does it need save love and freedom? Marriage but defiles, outrages, and corrupts her fulfillment. Does it not say to woman, Only when you follow me shall you bring forth life? Does it not condemn her to the block, does it not degrade and shame her if she refuses to buy her right to motherhood by selling herself? Does not marriage only sanction motherhood, even though conceived in hatred, in compulsion? Yet, if motherhood be of on climate change, free choice, of love, of ecstasy, of defiant passion, does it not place a crown of thorns upon an innocent head and carve in be specific, letters of blood the hideous epithet, Bastard? Were marriage to contain all the virtues claimed for it, its crimes against motherhood would exclude it forever from the realm of love. Love, the essay on climate, strongest and ppt. oral defense deepest element in all life, the harbinger of hope, of joy, of ecstasy; love, the defier of all laws, of all conventions; love, the freest, the most powerful moulder of on climate change, human destiny; how can such an ppt. oral all-compelling force be synonymous with that poor little State and Church-begotten weed, marriage? Free love?
As if love is anything but free! Man has bought brains, but all the millions in the world have failed to buy love. Man has subdued bodies, but all the power on earth has been unable to subdue love. Man has conquered whole nations, but all his armies could not conquer love. Man has chained and fettered the spirit, but he has been utterly helpless before love. High on on climate change, a throne, with all the splendor and pomp his gold can command, man is yet poor and desolate, if love passes him by. And if it stays, the poorest hovel is dissertation defense, radiant with warmth, with life and on climate color. Thus love has the magic power to make of a beggar a king. Yes, love is free; it can dwell in no other atmosphere. In freedom it gives itself unreservedly, abundantly, completely. All the laws on the statutes, all the courts in the universe, cannot tear it from the soil, once love has taken root.
If, however, the soil is sterile, how can marriage make it bear fruit? It is like the last desperate struggle of writing, fleeting life against death. Love needs no protection; it is essay on climate change, its own protection. So long as love begets life no child is deserted, or hungry, or famished for dissertation oral defense the want of affection. I know this to be true. I know women who became mothers in freedom by the men they loved. Few children in wedlock enjoy the care, the essay change, protection, the devotion free motherhood is capable of bestowing. The defenders of authority dread the advent of a free motherhood, lest it will rob them of their prey.
Who would fight wars? Who would create wealth? Who would make the policeman, the jailer, if woman were to refuse the responsible and juliet s death, indiscriminate breeding of essay on climate, children? The race, the mit master template, race! shouts the king, the president, the capitalist, the priest. The race must be preserved, though woman be degraded to a mere machine, --- and the marriage institution is our only safety valve against the pernicious sex-awakening of woman. But in vain these frantic efforts to maintain a state of bondage. In vain, too, the edicts of the Church, the mad attacks of rulers, in vain even the arm of the law.
Woman no longer wants to essay on climate be a party to the production of a race of sickly, feeble, decrepit, wretched human beings, who have neither the strength nor moral courage to throw off the who was for romeo, yoke of poverty and change slavery. Instead she desires fewer and better children, begotten and reared in love and through free choice; not by compulsion, as marriage imposes. Responsible For Romeo And Juliet! Our pseudo-moralists have yet to learn the deep sense of responsibility toward the child, that love in freedom has awakened in essay change, the breast of woman. Rather would she forego forever the glory of writing, motherhood than bring forth life in an atmosphere that breathes only on climate change, destruction and death. And if she does become a mother, it is to give to the child the deepest and best her being can yield. To grow with the child is her motto; she knows that in that manner alone call she help build true manhood and womanhood. Ibsen must have had a vision of a free mother, when, with a master stroke, he portrayed Mrs. Alving.
She was the ideal mother because she had outgrown marriage and all its horrors, because she had broken her chains, and set her spirit free to soar until it returned a personality, regenerated and strong. Alas, it was too late to rescue her life’s joy, her Oswald; but not too late to realize that love in natalie goldberg statement, freedom is the essay on climate, only condition of a beautiful life. Girl Power! Those who, like Mrs. Alving, have paid with blood and tears for essay on climate change their spiritual awakening, repudiate marriage as an dissertation defense imposition, a shallow, empty mockery. On Climate! They know, whether love last but one brief span of time or for eternity, it is the only creative, inspiring, elevating basis for a new race, a new world. In our present pygmy state love is indeed a stranger to most people. Who Was Responsible For Romeo! Misunderstood and shunned, it rarely takes root; or if it does, it soon withers and dies. Its delicate fiber can not endure the stress and strain of the daily grind. Its soul is too complex to adjust itself to the slimy woof of our social fabric. It weeps and moans and suffers with those who have need of it, yet lack the capacity to rise to love’s summit.
Some day, some day men and women will rise, they will reach the mountain peak, they will meet big and strong and free, ready to receive, to essay on climate change partake, and to girl bask in the golden rays of love. What fancy, what imagination, what poetic genius can foresee even approximately the potentialities of such a force in the life of on climate change, men and women. Who Was For Romeo S Death Essay! If the world is ever to give birth to true companionship and oneness, not marriage, but love will be the parent. To volunteer for the MIA, Email our Admin Committee.
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